“Elevation” – Art on Ashland’s Bandersnatch Trail

“Elevation” – First artwork of three as you walk Bandersnatch trail
Artist: Cheryl Garcia
Ashland Public Art series

Introducing the artist

Cheryl Garcia has loved art ever since she could pick up a crayon. I will describe her artistic journey after I introduce her Ashland public artwork entitled “Elevation.”

Creation of Elevation

The “Watershed Art Group” (originally Stef Seffinger, Pam Marsh, Sue Springer and a few others) wanted to place public art along the Bandersnatch trail above Lithia Park. Their goal was to bring attention to the importance of the Ashland Creek watershed, where we source our drinking water. Three sculptures have now been placed along the trail: Elevation, Pacific Fisher and Water is Life. They received funding primarily from the Haines & Friends art fund.

When you walk the Bandersnatch trail, the first of the three sculptures you will see (just before the trail starts) is Elevation by Cheryl Garcia. Cheryl is a metal artist, and Elevation is made of steel. Her initial concept for Elevation included a poem by Edward Abbey with three small birds flying above it. 

Ashland public art
Cheryl Garcia’s original concept drawing for Elevation. (photo by Cheryl Garcia)

Over time, the design became three large birds representing the “elevation” you experience as you walk up Bandersnatch trail, as well as a hope for elevation in our spirits through art and nature. 

Ashland public art
Elevation, with a view of trail continuing to the right of the sculpture. (photo by Peter Finkle, 2020)

My question: What brought you to metal art?

I asked Cheryl how she came to love metal art. She replied: “It goes back to my love of junky old iron as a kid. My grandfather was a collector of artifacts. I loved going into his garage and digging around in all of his artifacts and playing around with tools. I loved going around collecting rusty old iron in the canyons of southwest Colorado where I grew up. I fell in love with the material first.”

As a child, Cheryl entered many local art contests, whether it was a coloring contest or who could draw a scene from Mesa Verde National Park the best. 

“I won quite a few art contest prizes as a kid, including a year’s supply of free fountain sodas from a local convenience store.” 

Cheryl Garcia

She laughed as she told me, “I was a popular kid,” and then “I think they didn’t do that [contest] any more after I won it, because I was down there every single day getting my free sodas with my friends.”

After a couple years off from school, when she worked drawing illustrations for archeological digs in the Four Corners area, she took every art class at Fort Lewis College in Durango, Colorado. During trips to Santa Fe, she was inspired by the large scale metal art sculptures there. Since welding was not offered at Fort Lewis College, she switched to a vocational school and became a certified welder in 1993. That opened the door to metal working and metal art.

Love at first sight

When she lived in Missoula, Montana for a year to enjoy the music scene there and work as a welder, she met her husband Criss. It was a case of “love at first sight” – not the sappy movie kind, but the lasting real-life, through the ups and downs to this day kind.

It was through Criss that they decided to move to Ashland in November 1996. “It was just what we were looking for.” Her first Southern Oregon job at Medford Fabrication enabled her to save enough money to purchase her own metal work and welding equipment. 

“Living my dream”

Cheryl Garcia
Cheryl Garcia in 1998. (photo by Criss Garcia)

Now that she owned her own equipment, Cheryl said goodbye to the 9-to-5 in order to “live my dream.” She began by making garden ornaments that she sold at the Growers and Crafters Markets in Ashland and Jacksonville.  

Cheryl Garcia
Garden ornaments Cheryl sold at Growers Markets in 1998. (photo by Criss Garcia)

People who bought her garden ornaments started asking her to make gates and handrails for them. She found out that making structural art required a contractor’s license. Dedicated to growing both her skills and her business, she went to Rogue Community College and got the license. Since then, she has made many bright-colored nature-inspired sculptures both large and small, gates, fences, vessels, sacred art and more. 

She is especially proud of a large spiral staircase she built for a private customer, a project that required her to draw upon all of her skills and creativity.

Cheryl Garcia
Spiral staircase by Cheryl Garcia in a private residence. (photo by Cheryl Garcia)

Public art

Though she accepts many private commissions, Cheryl especially enjoys creating public art: “I certainly enjoy the public commissions the most, because they’re reaching a bigger audience. I know the joy and wonder I am trying to put out in the world is affecting more lives than just a private commission.”

Cheryl Garcia

Cheryl is a visible artist in Southern Oregon. If you have been to Jacksonville in the past few years, you may have seen her huge poppy flowers in the vineyard just outside of town. (photo by Peter Finkle)

Ashland public art

If you drive by Walker School on Walker Street in Ashland, you may have seen her large flowers on the school grounds.

Sunflower by Cheryl Garcia at Walker School. (photo by Peter Finkle, 2020)

Cheryl Garcia, Britt Festival

If you have been to Britt Music Festival in the past few years, you have walked by her huge flower sculpture at the Britt entrance.

Cheryl Garcia poses with her Brittilaria sculpture at the Britt Festival grounds. It is named for the fritillaria flower.

(photo by Rita Ashley)

Elevation: the artistic process

Cheryl Garcia at work in her studio. (photo by Jim Craven)

Now let’s look in detail at the piece called Elevation, which was installed near the beginning of the Bandersnatch trail. Elevation began with a Corten steel plate, a stainless steel plate, steel posts, more steel plates for the base, nuts, bolts, paints and more.  Corten steel is a quick-rusting steel often used for outdoor installations. The different pieces were each cut out and worked on individually before they could be put together.

This 4-minute video shows an overview of the entire process of creating Elevation.

To complement the video, here is my summary of the steps involved, illustrated with photographs taken from the video. First, the heart of Elevation is the Corten steel plate. Cheryl drew a complex design on the steel, then cut precise holes in the steel with a plasma cutting tool. 

Second are the rigid side-poles that support the Corten steel plate and anchor it to the base. 

Third is the steel base, which in this case required two large pieces of steel with bolts anchoring it both to the sculpture above and to the concrete foundation below. In most of her jobs, Cheryl makes the concrete foundation as well as the metal sculpture. “That’s why part of my contractor’s license is certification in concrete work as well,” she said. In this case, the Parks Department was responsible for the concrete foundation. 

Ashland public art
Steel base for Elevation, showing the mounting bolts. (photo from the Cheryl Garcia video)

Fourth, the three birds were cut out of stainless steel. The steel had to be ground, sanded and buffed until it was smooth to the touch, without sharp edges. 

Ashland public art
Stainless steel birds being painted. (photo from the Cheryl Garcia video)

After each individual part was done, she finally put it all together. The birds were welded to the Corten steel plate from the back side. After they were attached, everything was masked off in order to apply anodized, long lasting industrial paint for the blue color of the birds.

Ashland public art
Corten steel of Elevation before the rusting process. (photo from the Cheryl Garcia video)

Finally, the rusting process is a key part of the artwork that we see but don’t normally think about. Cheryl painted a chemical solution on the Corten steel, which is made to rust quickly. She said, “It [the Corten steel] takes a chemical solution I can put on. The rusting itself takes some finessing as well; I don’t want it to go too far, and I don’t want it to be too little. So I need to use the right amount of chemical solution to get the perfect rust and then neutralize it with a neutralizer, then rinse it all down before the installation.” 

There is so much that people don’t see, including “a lot of grinding” that goes into every piece of artwork. Cheryl summed up, “It is very labor intensive.”

Ashland public art
Detail of Elevation showing the Corten steel on site after the rusting process. (photo by Peter Finkle, 2020)

Installation and Dedication

Elevation was installed at the site in June of 2018. The dedication ceremony didn’t happen until September 2018. As it turned out, the dedication for both Elevation and Water is Life (also on Bandersnatch trail) were held on the same day.

Where to find Elevation

My wife and I first walked the Bandersnatch trail to see the three public art sculptures there in July 2020. Just above Lithia Park, the Bandersnatch trail is one of the easiest Ashland trails to access. It begins not far from the swimming hole on Ashland Creek. If you are driving or biking, take Granite Street south to the swimming hole, then turn left on Glenview Drive. After 2/10 of a mile, you’ll see a parking area on the right that can accommodate about eight cars, followed by a larger parking area on the left. If you are in a car, park here.

Ashland trails
Sign near the parking area on Glenview Drive pointing the way to Bandersnatch trail. (photo by Peter Finkle, 2020)

Near the parking area is this sign that says, “Waterline Trail >” and “To Bandersnatch Trail 820′.” Keep an eye out for mountain bikers zooming by in this section of the trail because this section is a multi-use trail. When you reach the Bandersnatch trail, it will be only for pedestrians and equestrians.

You’ll know you are heading the right way if you pass this gate and sign.

Ashland trails
Next clue that you are heading in the right direction to see Bandersnatch trail artworks. (photo by Peter Finkle, 2020)

You will reach the Elevation sculpture about 1/10 of a mile from the parking lot, while you are still on the Waterline trail.

Ashland trails

Next to the Elevation sculpture, you will see this sign.

Continue up to the Bandersnatch trail if you want to see the other two sculptures on this art walk: Pacific Fisher and Water is Life. Continue to keep an eye out for mountain bikers until you reach Bandersnatch trail. Built in 2012, Bandersnatch trail is 1.7 miles long and intersects multiple trails, so you can hike in a loop or just go straight up and back.

Ashland trails
Not far past Elevation is the official beginning of the Bandersnatch trail, where you will find the other two works of public art. (photo by Peter Finkle, 2020)

What is a Bandersnatch?

You may be wondering, as I did, “What is a bandersnatch?” It is found in the unusual world of “Alice in Wonderland.” Here is how it is described.

“Beware the Jabberwock, my son!
The jaws that bite, the claws that catch!
Beware the Jubjub bird, and shun
The frumious Bandersnatch!”

Lewis Carroll, from the poem Jabberwocky in Through the Looking-Glass and What Alice Found There, 1872)

Cantrall Buckley County Park

Because I am writing about Cheryl Garcia’s artwork, I want to briefly introduce you to the sculptures being installed at 88-acre Cantrall Buckley county park, located along the Applegate River near Ruch. The park and community have collaborated to raise funds for what has become an Art Walk at the park. 

The art in the park began with concrete and mosaic artwork Applegate Valley artist Jeremy Criswell created for the playground at the park. 

Cantrall Buckley park
Tortoise mosaic and concrete sculpture by Jeremy Criswell, located in the children’s playground at Cantrall Buckley County Park. (photo by Peter Finkle, 2020)

Jeremy is the sculptor of the Ashland public art piece on the Bandersnatch trail called “Pacific Fisher.”

He introduced community members to Cheryl Garcia, which resulted in a plan for Cheryl to create eleven metal art pieces that embody local flora and fauna in the Applegate Valley. She has completed eight so far as of August 2020, with three more to go.

Cantrall Buckley park
Mock Orange by Cheryl Garcia, at Cantrall Buckley County Park. (photo by Peter Finkle, 2020)

The community group A Greater Applegate wrote: “Art enthusiasts are delighted to see the numerous sculptures in the Educational Sculpture Art Walk series installed near the river. Cheryl Garcia, our very talented Jacksonville artist, completed the first awe-inspiring metal rendition, “The Mock Orange,” in the Fall of 2018. This spectacular 12-foot sculpture depicts the large and beautiful white blossom of this tender but tough native species.”

Cheryl enthusiastically described the project to me, and said, “It will become Southern Oregon’s first sculpture park!” 

If you would like to learn more about Cheryl’s work, her website is GreatMetalWorks.com.

Cantrall Buckley park
Northern Flicker by Cheryl Garcia, at Cantrall Buckley County Park. (photo by Peter Finkle, 2020)

Ashland Public Art map

A map at the link below shows City of Ashland public art, from the city website. Photos of the art are by Graham Lewis.
https://gis.ashland.or.us/publicart/

Here is my other Ashland Public Art article published so far.

Coming soon: Pacific Fisher sculpture by Jeremy Criswell, also on the Bandersnatch trail.

Coming soon: Water is Life sculpture by Karen Rycheck, also on the Bandersnatch trail.

References:

Anon. “Ashland Public Art Collection: A map tour of Public Art installations in the City of Ashland, Oregon,” City of Ashland website.

https://gis.ashland.or.us/publicart/

A Greater Applegate, http://agreaterapplegate.org/cantrall-buckley-park/

Jackson County Parks, https://jacksoncountyor.org/parks/Day-Use/Cantrall-Buckley

Anon. “Cantrall Buckley Sculpture Park Takes Shape, Jacksonville Review Online, June 5, 2018. https://jacksonvillereview.com/cantrall-buckley-sculpture-park-takes-shape/

Garcia, Cheryl. Interview and personal communications, August 2020.

Seffinger, Stef. Interview and personal communications, August 2020.

Creative Mailboxes of Ashland Photo Essay: Part 1

Artistic, Amazing and Unusual Mailboxes

My Grand Prize #1 so far

A combination of creativity and attention to detail sets this mailbox on Voris Avenue apart from the rest. Greg, creator of this mailbox, was working in his garage as I stopped to admire the little cabin that became a mailbox. I told him how much I enjoyed the woodwork, the chimney, even the realistic garden plants on both sides of the cabin. He told me I would also enjoy the inside. Scroll down to see what I saw inside the cabin/mailbox.

Mailbox
Amazing detail on this home-made Voris Avenue mailbox. (photo by Peter Finkle, 2019)
Mailbox
Greg, creator of this mailbox, is showing the inside. (photo by Peter Finkle, 2019)
Mailbox
Can you see the small inhabitant inside, just waiting to take a look at the daily mail? (photo by Peter Finkle, 2019)

Painted mailboxes

So far in my walks around Ashland, I have seen a variety of lovely and creative painted mailboxes. Here are a few. I am sure there are many more for me to discover.

mailbox
This Holstein mailbox is at 886 A Street. (photo by Peter Finkle, 2018)
Mailbox
These golden spirals on Morton Street caught my fancy. (photo by Peter Finkle, 2018)
Mailbox
Bright colors cover this Beach Street mailbox. (photo by Peter Finkle, 2018)
Mailbox
This unusual combination of colors and styles is on A Street. (photo by Peter Finkle, 2018)
Mailbox
From a cat to a blue jay, this one on Scenic Drive. (photo by Peter Finkle, 2020)
Mailbox
From a blue jay to a lavender color flower on Ray Lane. (photo by Peter Finkle, 2020)
Mailbox
Here’s a whole different style of mailbox and flower. (photo by Peter Finkle, 2020)

Unusual mailboxes

These eclectic mailboxes grabbed my attention and brought a smile to my face.

mailbox
The unusual railroad engine mailbox on 5th Street, combined with the creative house numbers, is a striking combination. (photo by Peter Finkle, 2018)
Mailbox
I find creativity in the placement of this mailbox on Alida Street. The colorful yard sale clothing adds to the scene. (photo by Peter Finkle, 2020)
Mailbox
I used this photo of mailboxes on upper Beach Street as the lead photo in my very first WalkAshland article, published April 2018. (photo by Peter Finkle, 2018)

My Grand Prize #2 so far

This is the most sculptural mailbox I have seen in town so far. From bottom to top, there is so much to see. I focused on the critter standing atop the mailbox in my photos. Is “cute” the right word for it? What do you think?

Mailbox
You can enjoy the creativity of this mailbox at 354 Helman Street. (photo by Peter Finkle, 2020)
Mailbox
Going in a little closer. (photo by Peter Finkle, 2020)
Mailbox
My wife says this is a cat. Do you agree? (photo by Peter Finkle, 2020)

If you enjoyed this photo essay, you will enjoy my “Quirky Sights in Ashland” photo essay. Here is a link.

Alida Street: Flowers, Ghosts and Art


Dramatic trumpet vine at 66 Alida
Writer of Westerns at 81 Alida
The scissors that moved by themselves at 92 Alida
Beautiful mural at 107 Alida
“Lord of the Rings” connection at 180 Alida
Plus 40 photos

Surprising stories

I thought to myself, “It’s only two blocks long. This will be a quick, easy article to write.” Boy was I wrong. I was surprised by the stories I discovered and which I can now share with you.

Alida Street is situated between Siskiyou Boulevard and East Main Street in one of the older parts of Ashland, within the boundaries of the Siskiyou-Hargadine historic district. Residents of Alida Street have a neighborhood coffee shop, with the Rogue Valley Roasting Company around the corner on East Main Street.

Let’s begin our two-block stroll

Alida Street
46 Alida Street, built in 1933 (photo by Peter Finkle, 2020)

Let’s begin our two-block stroll with a small 1933 cottage style house at 46 Alida Street, near East Main Street. According to the National Register of Historic Places, this house is “an example of the small rental volumes that typify much of the infill development in the district prior to World War II.” It looks beautifully renovated at some point in recent years.

Alida Street
Woodland Park Estates apartments on Alida Street (photo by Peter Finkle, 2020)

Across the street is the Woodland Park Estates apartments. This large apartment complex provides much needed housing for single people and couples.

Southern Pacific Railroad engineer

Alida Street
60 Alida Street (photo by Peter Finkle, 2020)

60 Alida Street was built about 1902 for Judd V. Miller, an engineer with the Southern Pacific Railroad. The original architecture was an L-shaped farmhouse style, but large additions through the years have changed the historic character of this house as well. I do like the attractive new front entry, though it’s not quite large enough to be a comfortable front porch with two or three chairs.

Hipped-roof cottage

Alida Street
63 Alida Street, built in 1908 (photo by Peter Finkle, 2020)

The 1908 Henry Boyd House at 63 Alida Street retains its simple, historic hipped-roof cottage architectural style. Henry Boyd was a local photographer. He and his wife Nettie lived here until 1923.

Trumpet vine

Alida Street
66 Alida Street, home of an old trumpet vine (photo by Peter Finkle, 2020)

A dramatic trumpet vine caught my eye at 66 Alida Street. The house was built in 1941 in the Cape Cod, Colonial Revival style. As I walked and took photos in July 2020, the trumpet vine was in glorious full bloom, covered with large bright red flowers.

Trumpet vine, Alida Street
Trumpet vine flowers at 66 Alida Street (photo by Peter Finkle, 2020)

Trumpet vines (also called trumpet creeper) have high points and drawbacks. Among the high points, the large bright flowers continue to bloom all summer and they are a magnet for hummingbirds.

Trumpet vine trunks have their own harsh beauty. The trumpet vine at 66 Alida shows how beautiful the gnarled trunk of the vine gets as it ages. This one even provides a level spot for displaying Ganesha, the elephant-headed Hindu deity of beginnings, also known as the remover of obstacles.

Ganesha statue, Alida Street
Resting place for Ganesha on the trumpet vine trunk (photo by Peter Finkle, 2020)

As one website put it, trumpet vine is “A high-climbing, aggressively colonizing woody vine to 35 ft., climbing or scrambling over everything in its path by aerial rootlets.” Depending on its location, this can be a big drawback. Some varieties send out below-ground runners and self-seed nearby, so they can take a lot of care to keep in check. The beautiful, gnarled trunk can also be a drawback as the plant gets older and larger. Moral of the story: be careful where you plant a trumpet vine and keep it under control, so that you can enjoy it. This old trumpet vine is an example of one that has been pruned regularly and kept under control.

Trumpet vine trunk, Alida Street
This is what an old, gnarled trumpet vine trunk looks like (photo by Peter Finkle, 2020)

George Anderson houses

Warner Mercantile Company ad 1916
Ad for Warner Mercantile Company, where George Anderson worked. This ad was in the Ashland Tidings of November 23, 1916.

George Anderson was a clerk with the Warner Mercantile Company. I found a Warner Mercantile ad in the 1916 Ashland Tidings, but it doesn’t give much insight into what the company sold or where it was located. Anderson had two houses built on Alida Street, both in 1910.

Alida Street
76 Alida Street, built in 1910. (photo by Peter Finkle, 2020)

Anderson lived at 76 Alida in a simple hipped-roof cottage. The large rear addition and plate glass windows in front have changed the house considerably, but one can still see the basic character of the 1910 house in the small front section.

Alida Street
75 Alida Street, also built in 1910. (photo by Peter Finkle, 2020)

Anderson bought property across the street and had 75 Alida built as a rental house. The National Register document calls it “a fine single-story gabled bungalow with a projecting gable porch.” I keep an eye out for Little Free Libraries around town. You’ll find an attractive one in the planting strip at 75 Alida Street.

Little Free Library, Alida Street
Little Free Library at 75 Alida Street. (photo by Peter Finkle, 2020)

Writer of Western stories and novels lived here

Alida Street
81 Alida Street was the home of William Verne Athanas and his family. (photo by Peter Finkle, 2020)

William Verne Athanas, who lived at 81 Alida Street, was known as a writer of cowboy fiction, but he came from a rich Greek heritage.  He was the son of Panagiotis “Peter” Konstantinos Athanassopoulos, who had been born in Greece in 1890. The family moved to Ashland when Verne was a child. In 1936, he graduated from Ashland High School and married his childhood sweetheart Alice Spencer – a big year!

Marrying Alice Spencer made him the uncle of Julia Woosnam, who grew up across the street at 92 Alida Street and told me his story. Between high school and becoming a full-time writer ten years later, “he slopped hogs, dug postholes, drove trucks, was a railroad brakeman, a gandy dancer, a service station attendant, a stationery salesman and more.” [Archives West]

Verne Athanas had an article in the November 1951 issue of New Western Magazine under his pen-name Bill Colson. (photo from “The Western & Frontier Fiction Magazine Index”)

Once he began writing, he specialized in cowboy fiction, and he was prolific. Athanas has 28 short stories listed in the “Western and Frontier Fiction Magazine Index.” He also wrote for mainstream magazines like the Saturday Evening Post and Esquire. He published three novels, including The Proud Ones that was made into a movie released in 1956. He also wrote scripts for TV westerns in the 1950s and 1960s. Because he wrote under four pseudonyms in addition to his own name, I haven’t been able to track down exactly what and how much he wrote.

The oldest house on Alida Street

Alida Street
84 Alida Street, built in 1890 or 1891. (photo by Peter Finkle, 2020)

Built in 1890 or 1891, 84 Alida is the oldest house on the street. It is described as “a fine multiple gable volume set upon a high concrete foundation. The porch at the NW corner is notable for its early-appearing chinoiserie balustrade.”

Early Ashlanders, ghost tales and more

alida Street
92 Alida Street, built in 1920. (photo by Peter Finkle, 2020)

The 1920 single story bungalow at 92 Alida Street still has much of its original detailing. Julia Woosnam, who grew up in this house in the 1950s and 1960s, told me stories and shared photos with me. She comes from an old Ashland family. Her grandfather Don Spencer was Ashland’s first postal mail carrier, starting in about 1910. Before that, everyone had to pick up their mail at the post office on the Plaza.

92 Alida Street
Altadena (Dena) and Lawrence Powell pose for a wedding picture in 1929.
(photo courtesy of Julia Woosnam)

Julia’s father Lawrence Powell and mother Altadena Spencer married in 1929. The couple raised a family and lived at 92 Alida Street for more than 40 years.

“Julia’s tree”

Alida Street

Two months before Julia was born in 1954, her father planted a maple tree for her in front of their house at 92 Alida Street. Here is the tiny stick that was to become a tree. (photo courtesy of Julia Woosnam)

Alida Street

Her father took this photo of Julia with “her tree” when she was almost two years old. The maple tree “stick” is a little taller. (photo courtesy of Julia Woosnam)

Alida Street

Here is “Julia’s tree” in front of 92 Alida Street in 2020. (photo by Peter Finkle, 2020)

Ghostly personal experiences

“Growing up there, you would just have a sense of somebody else hanging out” in the house, Julia told me. The front bedroom, with a window overlooking the porch as seen in the photo below, was hers growing up.

Alida Street
Julia’s bedroom window looked out to the porch. Julia’s father Lawrence Powell made the wood house number sign that still hangs in the porch area. (photo by Peter Finkle, 2020)

“The front bedroom was my room, and things would slide around in that room. I had a couple of friends in high school, laughing and giggling in there with me when we were best buddies, and a pair of scissors slid across the bureau. One of those friends said, ‘I am not staying in your room again.'”

Intrigued because scissors seem rather large to move on their own, I asked Julia about them. She replied, “I have them upstairs. They were my mother’s really nice dress-making shears.” Of course I said, “May I take a photo of them?” So Julia went and got what she laughingly called “the now famous flying scissors,” and here they are. I held them, and I can tell you they are heavy.

scissors
These heavy dress-making scissors scared three teenage girls who were talking in Julia Woosnam’s bedroom at 92 Alida Street. Read the text to find out why.
(photo by Peter Finkle, 2020)

Then there was the moving toilet paper. “The toilet paper roll would just spontaneously, slowly start to unroll, then it would go faster, faster, faster, faster, faster, faster until it pretty much emptied the roll. That was seen by several friends.”

“It got to be really mean,” Julia added, laughing. “Someone would go in the bathroom and we would all wait, just to see if it would happen. I had my best friend, who lived in the oldest house [on Alida Street] across the driveway from us, and she went into the bathroom — and I remember my mom and I tippy-toeing down the hallway, waiting — and pretty soon she screams, and she comes running out of the bathroom, just sobbing — and it was the toilet paper had started to unroll before she could even get near it to use it. These things just happened — for whatever reasons, they do happen.”

Another occurrence experienced by many people through the years was a loud thump, with no discernible cause, as if a large ball was being thrown against the wall. “My good friend Ann called it ‘the boulder.’ So we always referred to that sound as being ‘the boulder.’ It was definitely like someone had taken a soccer ball and thrown it hard against the outside of the house.”

100 Alida Street

Alida Street
100 Alida Street. (photo by Peter Finkle, 2020)

The house next door at 100 Alida Street was built in 1939 with an English Cottage style architecture unusual in Ashland. “A one and one-half story period revival structure, the Ruger House is a gable volume with a projecting gable entry element.”

The creative gate combines wood, metal and vines for an attractive entry to the yard.

gate, Alida Street
Creative gate at 100 Alida Street. (photo by Peter Finkle, 2020)

Art for the neighborhood to enjoy

Alida Street
107 Alida Street…can you see the mural? (photo by Peter Finkle, 2020)

The house at 107 Alida was built in 1925 for local banker Gerald Wenner and his wife Grace. The couple lived here for nearly 50 years, until they died in the early 1970s. A simple bungalow style, it still has many of the original 1925 features. 

Before and After at 107 Alida Street

Wall at 107 Alida Street before mural was painted. (photo courtesy of Katherine Holden)
mural, Alida Street
Beautiful mural at 107 Alida Street, painted in June of 2020. (photo by Peter Finkle, 2020)

The bright mural on the side of this house is quite new. Katherine emailed me that the mural at her house was painted by two friends, Amy and Glenn, who visited her from the San Francisco Bay Area in June. Her friend Amy added, “Visiting in a pandemic, we wanted a safe way to socialize and create something beautiful for our friend Katherine. We hope that more public art soothes the soul during these transformative times.” Seeing this mural certainly lifted my spirits, and I recommend that you see it when you are in the neighborhood.

The mural creation at 107 Alida Street

I wondered how this unusual group of flowers was designed. It turned out to be a simple but surprising reason. See the photo and caption below.

Alida Street mural
The design of the mural was inspired by this piece of fabric Amy and Glenn found in Katherine’s sewing box. (photo courtesy of Katherine Holden)
Alida Street mural
This photo shows Glenn painting the mural in June 2020. (photo courtesy of Katherine Holden)

I will add that Amy Pete is a somatic bodyworker and Glenn Case is a muralist and sign maker, both living in the Bay Area. 

Another SP worker, and unusual yard art

Alida Street
140 Alida Street, built about 1924. (photo by Peter Finkle, 2020)

Southern Pacific Railroad worker Henry Mayberry and his wife Myrtle had 140 Alida Street built for them about 1924. The house retains much of its historic look. The artistic garden fence and yard art are both very modern. For example, having a Buddha-like statue and a gnome sharing the yard is very 21st century.  

Alida Street
This is one of my favorite yard art combinations in town. (photo by Peter Finkle, 2020)
Alida Street
I wonder if the deer appreciate the hearts when they see that they can’t enter this lush vegetable garden. (photo by Peter Finkle, 2020)

Ashland High School 2020 graduate

Alida Street
145 Alida Street. (photo by Peter Finkle, 2020)

Ashland High School’s class of 2020 was not able to have an in-person graduation ceremony due to the coronavirus. On May 26, I noticed a forest of signs placed along Siskiyou Boulevard in front of the high school. I was moved as I saw this creative way of recognizing each 2020 graduate individually. 

Ashland High School class of 2020
Ashland High School, posters for the class of 2020. (photo by Peter Finkle, 2020)

Since then, I have seen “2020 GRAD” signs in front of several houses around Ashland. 145 Alida Street is one of them. This post-World War II era cottage, built in 1945, is “a fine example of its type.” The National Register describes it as “a series of connected hip roof volumes with wide board siding and numerous windows. A large brick chimney dominates the streetscape and a matching hipped-roof garage is located at the rear of the lot.”

Alida Street
Alida Street
Apartments at 160-162 Alida Street. (photo by Peter Finkle, 2020)

Another, smaller apartment complex is at 160-162 Alida Street. Built in 1966, I think it is called the Collins Court apartments.

A “fine Queen Anne ell”

Alida Street
172 Alida Street, built about 1900. (photo by Peter Finkle, 2020)

172 Alida Street was built as a rental house by Jacob Thompson around 1900. Architecturally, it is a “fine Queen Anne ell with canted corner on each of two projecting gables, framed below a pent roof line and a shingle-decorated gable end.”

Thompson owned much of the land in this part of Miner’s addition. An interesting aside is that in 1910, he transferred this property to a company co-owned by Thompson and his partner Gwin Butler. You may recognize the name Butler from the Butler-Perozzi Fountain or the Butler bandshell in Lithia Park. Gwin Butler’s contributions to Ashland deserve a full article.

Creative hobbit lovers

mailbox, Alida Street
Creative mailbox at 180 Alida Street, with yard sale going on that day. (photo by Peter Finkle, 2020)

180 Alida Street is a 1926 single story bungalow style house. This house could get an award for creative use of a tree stump. What got me excited, however, was spotting the sign on their gate that says, “Say Friend and Enter” in both English and Elvish. If you have read Lord of the Rings or seen the movies several times, you might recognize that saying as the inscription that puzzled Gandalf at the gate of Moria.

Alida Street
Saying on the entrance to Moria, and on the entrance to 180 Alida Street. (photo by Peter Finkle, 2020)

I have been a fan of Lord of the Rings by J.R.R. Tolkien since I was a teenager – which was many years ago! Early this year, I just finished reading the 1,086 page book (1,190 with appendices) for about the tenth time, and I loved it just as much as I did the first time.

The 1901 Frank Nelson house

Alida Street
188 Alida Street, built in 1901. (photo by Peter Finkle, 2020)

188 Alida Street was built for Frank Nelson in 1901, and he lived there until 1919. The style is a simple one and one-half story hipped-roof cottage. Nelson was a partner in the longtime Ashland grocery business Loomis and Nelson, which served the Railroad District at the corner of 4th Street and B Street. 

We have now reached Siskiyou Boulevard, so this wraps up our walk along Alida Street.

Note that two people who built houses on Alida Street worked for Southern Pacific Railroad. See below for a link to my article about the impact of the railroad on Ashland.

References:

Unidentified quotes are from:
National Register of Historic Places, Siskiyou-Hargadine Historic District, September 14, 2002.

Anon. “W. Verne Athanas papers, 1946-1962,” Archives West.
http://archiveswest.orbiscascade.org/ark:/80444/xv62493

Anon. “The Western & Frontier Fiction Magazine Index,” Verne Athanas and Bill Colson story listings.
http://www.philsp.com/homeville/WFI/s127.htm#A1584

Katherine Holden, personal communication, July 2020.

Pete, Amy. Personal communication, July 2020.

Woosnam, Julia. Personal communication, August 2020.

Ashland Springs Hotel: 95th Anniversary Stories

Read the sad history and amazing resurgence and renovation of this iconic Ashland hotel.

Beginning #1: The Lithia Springs Hotel in the 1920s

Site of current Ashland Springs Hotel in early 1924
Look closely at the sign in the front yard of this house at 212 East Main Street. Within months, the house would be gone and the Lithia Springs Hotel would be rising at this corner.
(This image is part of the Stories of Southern Oregon Collection in the Southern Oregon University Hannon Library digital archives and made available by Southern Oregon University Hannon Library.)

Take a close look at this photo of a house at the corner of East Main Street and First Street. It was taken in early 1924. Can you read the sign in the front yard? It says: “Boost Ashland’s Big Tourist Hotel – to be erected on this site.” Next to the sign is a drawing of the soon-to-be-built Lithia Springs Hotel (now the Ashland Springs Hotel). 

Ashland boosters had big dreams, and building a modern luxury hotel for Ashland visitors was one of them. The hopes and dreams were well summarized by hotel operator R.W. Price in this quote from the July 1, 1925 Ashland Daily Tidings: 

“I have every reason to believe that Southern Oregon is sometime, within the very near future, to be the playground of the Pacific Coast. With all the natural beauties and advantages which it now possess (sic), and with the plans of a group of men for developing and advertising these advantages, I am sure that we of this section have good reason to believe this part of Oregon will develop more rapidly than any other district of the state.”

R.W. Price, hotel operator

Local businessman Henry Enders Jr. and his partners in the Lithian Hotel Company sold stock to Ashland residents to raise money for the hotel, and got a tremendous response. 

Ashland Springs Hotel, stock certificate c1924 for Lithia Springs Hotel
This in an original stock certificate for the Lithia Springs Hotel, dated February 27, 1925.
(certificate on the Ashland Springs Hotel “History Wall,” July 2020)

As money was being raised, Enders recommended prominent Portland architects John Tourtellotte and Charles Hummel to design the hotel. They first presented a six-story design, as you can see on the architect’s drawing below.

Ashland Springs Hotel, original 6-story drawing c1924 for Lithia Springs Hotel
Here is the architects’ original 6-story drawing for the Lithia Springs Hotel, probably in early 1924.
(drawing on the Ashland Springs Hotel “History Wall,” July 2020)

After some discussion, it was revised to become a nine-story design, which resulted in Ashland being able to boast of having the tallest structure between San Francisco and Portland for many years. 

For those who appreciate architecture, the Lithia Springs was built with an eclectic design, including Romanesque, English Tudor, Gothic, and Neo-Classical Revival elements. Unusual for reinforced concrete skyscrapers, a decorative material was not attached to the exterior concrete. The concrete itself was featured all the way from the foundation to the roofline, except on the ground level floor.

Lithia Springs Hotel 1925 Grand Opening party

Lithia Springs Hotel 1925 Grand Opening
Lithia Springs Hotel grand opening headline, Ashland Tidings, September 29, 1925.

According to the Ashland Tidings, more than 500 people crowded the new hotel for its grand opening on September 28, 1925. Beginning at 5:30 pm, it took four hours for all to eat their fill from the buffet set up in the dining room. The “eloquent” speeches planned to begin at 8:30 were delayed an hour, but fortunately it was a short program. Hundreds of Ashland locals who were stockholders in the Lithian Hotel Company were excited to explore the huge hotel that they had helped finance. In addition, dignitaries that day included prominent “hotel men” from all corners of Oregon and Northern California and representatives from Chambers of Commerce and many other groups. 

When did Lithia Springs Hotel really open?

Does the photo below look like a hotel that would be open for business in less than eleven weeks?

Lithia Springs Hotel, Ashland Springs Hotel
Lithia Springs Hotel construction on April 17, 1925.
(This image is part of the Stories of Southern Oregon Collection in the Southern Oregon University Hannon Library digital archives and made available by Southern Oregon University Hannon Library.)

Construction of the nine-story hotel took months longer than planned. I have read that it opened on July 1, 1925. Looking at this hotel-under-construction photo dated April 17, 1925, that seems to me impossible. I have also read that hotel construction was completed on September 11, 1925 and opened at that time. Remember that the Grand Opening party was on September 28.

Which date is true?

The answer: Both dates are true! 

On July 1 the hotel was still under construction, but proprietor R.W. Price was anxious to start renting rooms, so he did. For the first few months, hotel guests had to brave construction noise and dust as they stayed in the first rooms that had been completed.

By September 11, construction was officially complete (except that the contractor still had to completely repaint the hotel exterior to satisfy the architects!). That’s when planning began for the grand opening party described above.

Lithia Springs Hotel, Ashland Springs Hotel
Photo most likely taken in late 1925, soon after the hotel was completed.
(This image is part of the Stories of Southern Oregon Collection in the Southern Oregon University Hannon Library digital archives and made available by Southern Oregon University Hannon Library.)

Through the decades

Here is a brief review of the hotel’s history through the decades. Ashland and the hotel suffered two huge economic shocks within a few years after the hotel opened in 1925. Two years later, in 1927, Southern Pacific railroad routed most of its passenger trains away from Ashland and through the town of Klamath Falls. This reduced tourist arrivals in Ashland. Then the Great Depression slammed Ashland and the U.S.A. from 1929 to about 1939. 

The expected influx of tourists for local spas, natural beauty and “a playground of the Pacific Coast,” didn’t happen. The hotel limped along decade after decade, no longer “luxurious,” always financially on the brink. 

Ashland Springs Hotel, Mark Antony Hotel
Here is a view of the hotel in the 1960s after the name change to Mark Antony Motor Hotel.
(photo on the Ashland Springs Hotel “History Wall,” July 2020.

In 1960, after a contest to come up with a name that would build on the growing popularity of Oregon Shakespeare Festival, it was renamed the Mark Antony Motor Hotel. The new name didn’t boost its fortunes. The building was remodeled in 1951, 1959 and 1978. Nothing helped. 

Ashland Springs Hotel, Mark Antony Hotel
This photo shows the Mark Antony hotel lobby in the 1970s.
(photo on the Ashland Springs Hotel “History Wall,” July 2020)

Beginning #2: Doug and Becky Neuman find Ashland in the 1980s

Doug and Becky Neuman were living in Santa Barbara in the mid-1980s. Doug’s parents wanted to move to the Eugene, Oregon area. Doug went with his father to check out Eugene. Doug didn’t like the wet and overcast weather there, so Oregon looked like a bust.

Before leaving Eugene, Doug played tennis at the club there. Doug was hitting with the tennis pro, who told him, “If I could live anywhere on the West Coast, I would live in Ashland, Oregon.” The next day, Doug and his father drove to Ashland with a video camera, and brought back their impressions of the town. When she saw the video, Becky knew right away she had to see Ashland for herself and that it was likely to be their long-term home. What she and Doug didn’t know at the time is that they would have a future in the hospitality business.

Doug and Becky Neuman
Becky and Doug Neuman, with their dog Sonny.
(photo courtesy of Becky Neuman)

The hotel and the Neumans join forces in the 1990s

In 1998, when the building was bankrupt and falling apart. Doug and Becky Neuman made the huge commitment to purchase the hotel and bring it back to life. As it says on the hotel website: “A complete ‘basement to parapet,’ two-year, ten million dollar restoration followed and the hotel reopened December 2000.”

What is original in the current Ashland Springs Hotel?

When guests enter, the two-story lobby features the original restored 1925 terrazzo floor, lobby chandelier, original stained glass in the front windows and the huge 1925 fireplace.

Ashland Springs Hotel
From East Main Street, you can see the original 1925 stained glass “LH” above the hotel entrance.
(photo by Peter Finkle, 2020)
Ashland Springs Hotel lobby chandelier
This is the original 1925 lobby chandelier, seen from the mezzanine balcony.
(photo by Peter Finkle, 2020)
Ashland Springs Hotel
When you enter the lobby, you are walking on the original 1925 terrazzo floor, which was carefully renovated. I took this photo in the summer of 2020, so you can see one small impact of the worldwide 2020 coronavirus (COVID-19) pandemic. Businesses in Ashland, and worldwide, placed “Social Distancing” markers to keep people 6′ apart and reduce the spread of the virus.
(photo by Peter Finkle, 2020)

The mezzanine balconies with their beautiful woodwork and ironwork are original, as are the lobby’s ornate decorated columns and ceiling. 

Ashland Springs Hotel
The lobby has original 1925 balconies and railings. (photo by Peter Finkle, 2020)
Ashland Springs Hotel
The lobby’s original 1925 columns were lovingly restored. (photo by Peter Finkle, 2020)

The Crystal Room

The Crystal Room, off the lobby, was the original dining room that featured a dramatic (but not original from 1925) crystal chandelier. 

Ashland Springs Hotel, Lithia Springs Hotel
The hotel dining room featured this elegant crystal chandelier in the 1950s. Note that the date marked on the photo is incorrect. (photo on Ashland Springs Hotel “History Wall,” July 2020)

During the two-year hotel renovation, the Neumans removed the chandelier. By that time, it was missing many of the small hanging crystals and needed too much repair, so they stored it in their barn. It sat there unnoticed for a few years, until Doug came to Becky with a novel idea. He said, “The top of the chandelier is still in excellent condition, so let’s use it by turning it upside down.” At first Becky couldn’t picture what he was describing. When the chandelier was flipped and placed in the room, the simple yet sophisticated new look won her over.

Ashland Springs Hotel
Here is the chandelier in the Crystal Room now, after Doug’s creative idea.
(photo by Peter Finkle, 2020)

New — Historic photo gallery

This is part of the new “History Wall,” prepared with help from the Southern Oregon Historical Society, on the mezzanine level. (photo by Peter Finkle, 2020)

If you would like to see many more photos than I can include in this article about the hotel, stop by the new “History Wall” of historic Ashland photos on the hotel’s mezzanine level. If you like Ashland history, I highly recommend it. This gallery was prepared with help from the Southern Oregon Historical Society.

The choice that changed Becky Neuman’s life

Hiring Candra Scott and Richard Anderson as interior designers for the hotel changed Becky Neuman’s life. Becky called the two years of working closely with Candra “a screaming learning curve.” It was a fabulous, joyful and intense apprenticeship for Becky, a two-year interior design education. 

Becky told me that watching Candra go through her creative process “just lit a fire in me.” She learned from Candra how “you go into a space and you get the story of what this space wants to be.” “And I’ve done that since that time,” Becky added, “with each of the hotels I’ve done on my own.”  

What was the inspiration for the interiors of the Ashland Springs Hotel?

“The inspiration,” said Becky, “came through Candra Scott and Richard Anderson and myself after we went to the Southern Oregon Historical Society and found out that people were traveling to Ashland at that time [early 1900s] for two things: the Chautauqua lecture series and the Lithia water.” 

“She [Candra Scott] said we’re going to design this lobby as if it were the personal home of a lecturer for the Chautauqua series.” That lecturer would be a naturalist and would believe in the “great outdoors” idealism of the late 1800s and early 1900s. The vision was to give guests the experience of a simpler time in American life, with a focus on flora and fauna.

Candra went on to create that vision. The lobby has ornithology – beautiful bird collections – and “a fabulous cabinet of curiosities.” It was very popular 100 years ago to bring back unique objects from one’s worldly travels and display them in a cabinet of “rarities.” 

Ashland Springs Hotel
This cabinet of “rarities and exotic curiosities” in the hotel lobby was curated by Candra Scott.
(photo by Peter Finkle, 2020)

Candra was designing an apartment in Paris at the time, and asked Becky if she’d like her to bring some things for the hotel back from Paris. Becky replied, “Yes, absolutely!” The ornithology collection and the “cabinet of curiosities” in the hotel lobby came from that trip to Paris. In addition, at a Paris flea market she found wonderful mounted pressed herbs, which give character to the guest rooms. Candra found the lobby’s bird illustrations closer to home, at David Ralston’s Jacksonville antique shop (now the Antiquarium in downtown Ashland).

Ashland Springs Hotel
Mounted pressed herbs, found by Candra Scott at the Paris flea market. (photo by Peter Finkle, 2020)
Ashland Springs Hotel
The bird illustrations in the lobby were found by Candra Scott. (photo by Peter Finkle, 2020)

Even the carpets, chosen by Candra and made in England by Axminster Carpets, carry on the theme of flora and fauna. This company has been making carpets in the small town of Axminster since 1755! “Today, Axminster Carpets™ is still weaving beautifully designed carpets in the Devon town of Axminster for the Royal Household, stately homes, luxury hotels and homes around the world,” per the company website. 

Ashland Springs Hotel
This Axminster carpet was chosen by Candra Scott to complement the hotel theme of flora and fauna.
(photo by Peter Finkle, 2020)

Becky calls Candra “a creative force, known for renovating historic hotels in the United States.” For example, Scott and Anderson designed renovations for the 1902 Hotel Majestic in San Francisco and the Arctic Club Hotel in Seattle, originally built in 1916.

In addition to the lobby design, Candra designed furniture for all the rooms and arranged for its custom manufacture for the hotel. 

Ashland Springs Hotel custom cabinet
Guest room cabinet designed by Candra Scott. (photo by Peter Finkle, 2020)
Ashland Springs Hotel lamp
Guest room lamps and lamp shades designed by Candra Scott. (photo by Peter Finkle, 2020)

The building process

The Neumans called their complete renovation a huge “basement to parapet” undertaking. They wanted it to be a full historic renovation, so everything was not only approved by the Ashland Historic Commission, but also met numerous federal historic preservation requirements. 

Ashland Springs Hotel during renovation, year 2000
Here’s what the lobby looked like during the 1999-2000 renovation.
(photo on the Ashland Springs Hotel “History Wall,” July 2020)

The entire hotel was upgraded with new plumbing, heating, cooling and electrical systems. Many of the original 100 guest rooms did not have a private bathroom. After the renovation, there are now 70 guest rooms, each with a private bathroom and charming custom touches.

The outdoor fire escape you see in earlier photos of the hotel was removed. New elevators were added. One of the upgrades I most appreciate was conversion of a second floor pool area into a lovely light-filled indoor Conservatory and attached outdoor English Garden, located next to the Grand Ballroom. I have attended many community events there, from Jefferson Public Radio wine tasting fund-raisers to food festivals to Christmas Eve inspirational talks. 

Ashland Springs Hotel conservatory
The lovely Conservatory is between the Grand Ballroom (to the left) and the outdoor English Garden (to the right). (photo courtesy of Ashland Springs Hotel)
Ashland Springs Hotel patio and garden
Here is a cozy seating area in the English Garden patio. (photo by Peter Finkle, 2020)
Ashland Springs Hotel patio and garden
As you can imagine, many weddings and community events have been held here in the English Garden. (photo courtesy of Ashland Springs Hotel)

Managing the hotel and restaurant

Since Doug and Becky Neuman had never worked in the hospitality industry, they hired a management company from Portland when the renovated hotel opened in the year 2000. The company had experience with both hotels and restaurants, so it seemed like a good fit. The first restaurant was called the Bulls Eye Bistro, with a games theme and regular live music. I remember hearing and dancing to great local bands there. When walking downtown on warm summer evenings, I often paused as loud music spilled out the open doors to the street. 

By the fifth year of the restaurant, Becky didn’t like the food enough to eat in her own restaurant! She also heard too many complaints from guests about difficulty sleeping when bands played at the Bistro until 2:00 am. She and Doug decided to take over management of the Ashland Springs Hotel themselves. 

They were fortunate to find someone who could lead the operation on an upward trajectory. They hired Don Anway, who had experience as General Manager at Red Lion hotels. According to Becky, Don brought an unusual combination of skills to their hotel and their growing company. “Don has a lot of heart, but he’s also a numbers guy. In addition, he started hiring really wonderful people who had a passion for what they were doing.” This allowed the company to stabilize and grow. Becky summarized their success since 2005 this way: “It’s our team that creates our success. We [Doug and Becky] provide the vision.”

Becky took on the challenge of creating a new restaurant at the hotel to replace the Bulls Eye Bistro. She knew from talking with guests that they wanted regionally sourced food. She and her staff reached out to local farmers, making them early adopters of the now popular “farm to table” restaurant movement. 

Choosing the head chef

In choosing a head chef, Becky stressed two themes: local food and comfort food. In addition to offering cutting edge food combinations to patrons, she also wanted the menu to include her favorite comfort foods – meatloaf and fried chicken. Not just any meatloaf and fried chicken, mind you, but really delicious meatloaf and fried chicken.  

That became a key question as she interviewed prospective head chefs. She might find one who waxed poetic about local, organic foods. Then she would ask, “How’s your meatloaf?” If the person mumbled about meatloaf not really being his “thing,” that was the end of the interview.  A number of otherwise good chefs were disqualified in this way. 

One day she was having a good interview with another chef enthusiastic about locally grown foods and partnering with farmers. Then she asked the key question, “How’s your meatloaf?” He replied, “I use my grandmother’s meatloaf recipe and it’s great.” Becky laughed as she jokingly told me her next words were, “You’re hired!”

How Larks Restaurant got its name

Larks Restaurant, Ashland Springs Hotel
Interior of Larks Restaurant. (photo courtesy of Ashland Springs Hotel)

I love origin stories. How Larks got its name is a small origin story that means a lot to Becky. As you know by now, the natural world, and birds in particular, play a large role in the ambiance of Ashland Springs Hotel. When Becky was researching names, she learned that the state bird of Oregon is the western meadowlark. 

According to the Oregon Encyclopedia, “In 1927, the Oregon Audubon Society sponsored a contest among schoolchildren to choose the state bird. The western meadowlark (Sturnella neglecta) won by a large margin (40,000 out of 75,000 votes), and Governor Isaac L. Patterson officially proclaimed it the state bird.”

Becky was thrilled to learn this, since she grew up in Kansas, another state that has the western meadowlark as its state bird. As in Oregon, the Audubon Society got schoolchildren in Kansas to also vote for a state bird during the 1920s. In 1925, 125,000 schoolchildren in Kansas voted for the western meadowlark, with the bobwhite and northern cardinal coming in second and third.

It was obvious the new restaurant at the hotel should be called Meadowlark, right? Her husband Doug derailed the plan. In his opinion, Meadowlark sounded more like a laid-back retirement home than a cutting-edge restaurant. He wanted something bolder and catchier. 

Becky was willing to compromise, but only if the name had a connection with nature. Doug suggested “Larks Restaurant” and Becky said “I love it.” It has been Larks ever since 2005, with a second Larks Restaurant now at the Neuman’s Medford hotel called Inn at the Commons.

“Useful birds of America” on the walls

bird illustrations in Larks Restaurant
Bird illustrations by Mary Emily Eaton in Larks Restaurant. (photo by Peter Finkle, 2020)

When you visit Larks for their delicious food, take a few minutes to notice the bird illustrations on the walls, which have a fascinating history. They are reproductions of illustrations by Mary Emily Eaton, best known as a botanical illustrator for the New York Botanical Garden from 1911 to 1932.  

Eaton’s bird illustrations were funded by the makers of Arm & Hammer Baking Soda, a company that traces its roots to 1846. Beginning in 1888, small 2” by 3” bird trading cards were placed inside Arm & Hammer Baking Soda boxes to set them apart from their cheaper competitors. I found this quote describing the bird trading cards from a book with the delightful title: Oology and Ralph’s Talking Eggs: Bird Conservation Comes Out of Its Shell.

“These colorful cards originally came in Arm and Hammer Baking Soda boxes, and later they could be ordered by mail. At a time when many wild birds were being killed for their meat and feathers, the Church and Dwight bird cards featured the theme of ‘Useful Birds of America’ and a simple message: For the Good of All, Do Not Destroy the Birds.”

When you look closely at the illustrations on the walls at Larks Restaurant, you will see the Arm & Hammer logo and the date 1922. Eaton’s drew her 1922 illustrations for the company’s “Third Series” of bird trading cards.

bird illustration in Larks Restaurant
Can you spot the Arm & Hammer logo? (photo by Peter Finkle, 2020)

A closing thought from Becky Neuman

I love the image Becky used to describe her early vision of the hotel to me: “I felt like the lady had been asleep a long time and she was ready to wake up and put her party dress on, to be a light for the town.”

Thanks to Becky, Doug and the entire team at the Ashland Springs Hotel, “she” is wide awake and shining on her 95th anniversary!

At 95 years of age, “the lady” is “awake and shining”

References:

Aldous, Vickie. “It’s official: Ashland Springs Hotel opens its doors,” Ashland Daily Tidings, December 1, 2000.

Anon. “Contractors to pay $1,800 hotel damages,” Ashland Tidings, September 11, 1925. (accessed with help from Southern Oregon Historical Society archivist Kira Lesley)

Anon. “Opening of new hotel to attract many,” Ashland Tidings, September 22, 1925. (accessed with help from Southern Oregon Historical Society archivist Kira Lesley)

Anon. “Hundreds to attend formal hotel opening,” Ashland Tidings, September 26, 1925. (accessed with help from Southern Oregon Historical Society archivist Kira Lesley)

Anon. “500 attend formal opening of Lithia Springs Hotel here,” Ashland Tidings, September 29, 1925. (accessed with help from Southern Oregon Historical Society archivist Kira Lesley)

Anon. Axminster Carpets company website. (accessed 6/11/2020)

https://www.axminster-carpets.co.uk/33-the-story-so-far

Anon. “Western Meadowlark,” Kansas Historical Society. (accessed 6/11/2020)

https://www.kshs.org/kansapedia/western-meadowlark/17241

Brandstetter, Scott (Assistant General Manager, Ashland Springs Hotel). Personal communication and hotel tour, June 26, 2020.

Darling, John. “Ashland Springs Hotel celebrates 90th anniversary,” Ashland Tidings, June 24, 2015. 

Dodge, Dani. “More than a face-lift,” Medford Mail Tribune, July 18, 1999.

Erickson, Laura. “Arm & Hammer Bird Trading Cards,” July 6, 2017, Laura Erickson’s For The Birds blog. (accessed 6/11/2020) Also, Carrol Henderson’s book, Oology and Ralph’s Talking Eggs: Bird Conservation Comes Out of Its Shell was quoted in the article.

https://blog.lauraerickson.com/2017/07/arm-hammer-bird-trading-cards.html

Hayden, Curtis. “Taming the ‘White Elephants,’” Sneak Preview, September 9, 1998. 

Kershner, Jim. “Grande dame of Ashland sparkles again,” The Spokesman Review, September 2, 2001. 

Lavagnino, Karolina (Director of Sales and Marketing, Neuman Hotel Group). Personal communication, June 2020.

Lemon, Sarah. “Still standing tall,” Medford Mail Tribune, April 26, 2020. 

National Register of Historic Places, Ashland Downtown Historic District, May 5, 2000.

Neuman, Becky (Co-owner, Neuman Hotel Group). Interview, personal communication and hotel tour, June 10, 2020.

O’Harra, Marjorie. Ashland: the first 130 years, Northwest Passages Publishing Inc. 1986.

Rose, William. National Register of Historic Places, Nomination Form for Ashland Springs Hotel (originally Lithia Springs Hotel), December 1977, revised 2002.

[Ashland Daily Tidings July 1, 1925, quoted in National Register Nomination Form, Rose 1977]

Tucker, Kathy. “Oregon State Symbols,” Oregon Encyclopedia. (accessed 6/11/2020)

https://oregonencyclopedia.org/articles/oregon_state_symbols/#.XuLDQS05RUM

Signs of Ashland Photo Essay: Part 1

Artistic, Political, Social, Unusual, and Fun Signs Around Ashland

2020 is a difficult year for Oregon Shakespeare Festival and Ashland. Due to coronavirus, the Festival Welcome Center is closed and the three theaters are dark. “Black Lives Matter” is the OSF message to the community in June 2020. I miss OSF people. I miss their creations. So I am opening and closing this Signs of Ashland article with Oregon Shakespeare Festival photos.

Oregon Shakespeare Festival, Black Lives Matter
Oregon Shakespeare Festival Welcome Center – Black Lives Matter. (photo by Peter Finkle, 2020)
"Love Wins" flag
Whether on a sign or a flag, whether in 2o18 or 2020 or 2022, these are important reminders. (photo by Peter Finkle, 2018)

Going up or going down?

"Evacuation Route" sign for flash flood hazard
If you are at Ashland Creek and you need to go UP, here is the sign to look for. (photo by Peter Finkle, 2017)
"Alice Peil Walkway" sign
If you are on Granite Street and you want to go DOWN to Ashland Creek, here is the sign to look for. (photo by Peter Finkle, 2020)

“Love Wins” and “Truth Wins”

"Love Wins" sign
“Love Wins” and more, per this sign on Greenmeadows Way. (photo by Peter Finkle, 2020)
"Truth Wins" sign
“Truth Wins” and more, per another sign on Greenmeadows Way. (photo by Peter Finkle, 2020)

We want bees to win too

"Pollinator Garden" sign
Ashland gardeners have embraced the Pollinator Garden project. (photo by Peter Finkle, 2020)
"Support Bee Havens" sign
Here is a home-made bee-lovers sign. (photo by Peter Finkle, 2020)
"Butterfly Garden" sign
Butterflies are pollinators too! (photo by Peter Finkle, 2020)
"Cat Crossing" sign
Now we have an “animal theme” going. (photo by Peter Finkle, 2020)

Ashland is not just a town, it’s a community

City Council pledge sign
This pledge by the elected leaders of Ashland dated December 2016 is posted at the City of Ashland Community Development Department office. (photo by Peter Finkle, 2020)
Growers Market sign
Ashland people come together at the Growers & Crafters Market, where I found this sign. (photo by Peter Finkle, 2018)
"Ashland Food Project" sign
Ashland is not only a town, but is also a community of caring people. People all over town contribute food or money to the Ashland Food Project. (photo by Peter Finkle, 2018)

We miss you OSF !!! (in 2020)

Oregon Shakespeare Festival map
We miss you in 2020, Oregon Shakespeare Festival people and plays! (photo by Peter Finkle, 2020)
Oregon Shakespeare Festival humorous sign
Here is a little Coronavirus humor in the Oregon Shakespeare Festival window on East Main Street, from May 2020. (photo by Peter Finkle, 2020)

As I take more photos of signs as I walk the streets of Ashland, there will be a “Part 2” at some point in time.

If you enjoyed this photo essay, you might enjoy my photo essay about “Quirky Sights in Ashland: Part 1.” The link is below.

Scenic Drive: History Comes Alive!

* 23 Homes more than 100 years old!
* Oregon history comes alive at 531 Scenic Drive.
* 30 Photos.
* Garden of the Month, April 2020.
* Tree of the Year 2004.
* Modern architecture, and more.

I started my Scenic Drive walk here. (photo by Peter Finkle, 2020)

I walked Scenic Drive wearing a mask in April of 2020, when the people of Ashland and the entire State of Oregon were being asked to “Stay Home, Save Lives” in order to slow the spread of the pandemic coronavirus. Going for walks was acceptable, as long as we didn’t gather in groups of people.

I began at the “beginning” of Scenic Drive, where it meets Strawberry Lane, and where the first house number is 5 Scenic Drive. 

I was drawn to Scenic Drive this month for two reasons. My first motivation was the Ashland Garden Club’s Garden of the Month for April, located at 467 Scenic Drive. In addition, I counted 23 homes on Scenic Drive more than 100 years old, built between 1880 and 1915. I know WalkAshland readers love the local history I learn and share here, so be prepared for plenty of history, gardens and architecture in this article.

Old Ashland maps show part of Scenic Drive was originally called Woolen Street, named for Mr. Woolen, who subdivided his farm acreage here to create land for houses. 

Modern Architecture

5 Scenic Drive. (photo by Peter Finkle, 2020)

Before we explore historic houses, let’s start with the modern houses at this end of Scenic Drive. The first house that caught my eye was also the first house number. I spoke with a neighbor, who told me two architects live in and designed this house. 

39 Scenic Drive. (photo by Peter Finkle, 2020)

I spoke with Greg at 39 Scenic Drive. He built much of this attractive 1988 house himself. What really makes the house stand out is the moose antlers mounted on an outside wall. How often do you see moose antlers on the outside of a house? As for me, never before this. Greg told me he purchased the antlers in Alaska from someone who makes spending money by finding places where moose shed their antlers in the winter. I learned something new that day.

Here they are, the moose antlers at 39 Scenic Drive. (photo by Peter Finkle, 2020)
Log house at 35 Scenic Drive. (photo by Peter Finkle, 2020)

I also met the owner of the log cabin at 35 Scenic Drive. I think I got lucky meeting Scenic Drive neighbors out in their front yards because the day I walked was the warmest, sunniest day of the week. You can see from the house photo that it is made of round logs. This is different log-house construction than one I saw – and learned about – on Westwood Drive. You can read about the Westwood Drive log house made with tongue-in-groove D-logs at https://walkashland.com/2019/07/19/westwood-street-log-house-and-eco-house/

45 Scenic Drive. (photo by Peter Finkle, 2020)

This is a lovely, modern Swedish-chalet style house. A neighbor told me it was made using straw bale construction for the exterior walls. 

Historic houses

Now let’s continue down Scenic Drive, looking mostly at a variety of historic houses. I won’t describe and show photos of every one of the 23 houses more than 100 years old along Scenic Drive. I will show houses that either caught my eye or have unusual stories to go with them, then I will list the other historic houses at the end of the article. I will also point out a few modern houses that struck me.

79 Scenic Drive. (photo by Peter Finkle, 2020)

The Craftsman style house set above the street at 79 Scenic Drive was built in 1910 by R.L. Coombe. Born in the Australian island state of Tasmania in 1874, somehow he found his way to Ashland in 1910. That same year, he and his wife Florence built this new home. 

Coombe was one of the leading plasterers in the Rogue Valley, specializing in interior plaster and exterior stucco work. Among the local buildings he worked on were the 1910 Emil and Alice Applegate Peil House and the 1912 Ashland Carnegie Library. You can see in the photo that 79 Scenic Drive has a stucco exterior.

The National Register description of the house says, “As might be expected the exterior of the house was clad in delicately colored stucco with highly detailed quoins and other details, a veritable tour de force of a master craftsman. Sadly, upon leaving Coombe family ownership this original material was painted, forever hiding the original design intent.”

95 Scenic Drive — Do you miss the orange aluminum siding? (photo by Peter Finkle, 2020)

95 Scenic Drive was built about 1915. I talked with current owner, who was working in her beautiful large garden. She told me the house was originally one story with a basement. In the 1970s, downstairs was made into a separate entry apartment. Orange aluminum siding was added to the exterior! Orange? Aluminum? To a historic house?  

In 1997, the current owners did a renovation to remove the orange aluminum siding (yay!) and restore the upper story gable. Let me say now that there was one benefit of the aluminum siding. When it was removed, the original Victorian-style fish scale decorative shingles were in good condition on the gable. These shingles indicate that this 1915 house was a transitional architectural style between Victorian style and the new Craftsman style.

This house detail at 95 Scenic Drive shows the Victorian-style fish scale decorative shingles on the gable. (photo by Peter Finkle, 2020)
Here is one example why the street name was changed from Woolen Street to Scenic Drive. This photo was taken on Scenic Drive at the top of Church Street. (photo by Peter Finkle, 2020)

240 Scenic Drive was built in 1977, so it’s not a historic house; but in a sense it is historic. It is noteworthy because it was long the home of Lenn and Dixie Hannon. Lenn was a long-time Oregon State Senator, and Southern Oregon University’s Hannon Library is named after him.

345 Scenic Drive. (photo by Peter Finkle, 2020)

One of the oldest houses on Scenic Drive, the simple Vernacular style house at 345 Scenic Drive was built about 1886 by Lysander Sackett. The most notable owner of the house after that was H.C. Mecham. According to the Ashland Tidings of March 21, 1910, Mr. Mecham “recently invested in a home on Woolen Street” (the original name of Scenic) and also recently “purchased the planing mill from Carson-Fowler Lumber Company.” A planing mill took lumber that had been initially cut to size in a sawmill and finished it to meet the needs of different types of construction or furniture building.

The simple, attractive house at 365 Scenic Drive was built in 1885 and has a prime spot at the corner of Wimer Street. I’m not sure if the porch detail is original, but if not I expect it has been there a long time. 

View from 365 Scenic Drive, down Wimer Street. (photo by Peter Finkle, 2020)
407 Scenic Drive. (photo by Peter Finkle, 2020)

This beautifully renovated 1889 house at 407 Scenic Drive is independently listed on the National Register of Historic Places. It is one of the best examples in Ashland of the Queen Anne/Eastlake architectural style. It was built in 1889 by S. Pedigrift, a mason and plasterer who seems to have lived in Ashland only three or four years.

Notice especially the matching Queen Anne style bay windows. George Kramer wrote in the National Register nomination form that the bay windows are so typical of “Eastlake fancy work” style that Pedigrift may have purchased them from a catalog and incorporated them into the house design.

Through the mid-20th century, the owners of the house also cultivated orchards up the hillside behind the house. Robert Dooms, who owned the house and lived there from the mid-1950s to 1988, told George Kramer that when he was a child in Ashland, the previous owner Robert Johnson “paid him $1 a pound for picking cherries, apricots, and peaches behind the house.”

Ashland Tree of the Year 2004, a Monterey Cypress at 407 Scenic Drive. (photo by Peter Finkle, 2020)

The architecture is not the only impressive sight at this address. The 2004 Ashland Tree of the Year lives here. It is a massive Monterey Cypress, possibly planted in 1889 when the house was built.

Ashland Tree of the Year 2004, a Monterey Cypress at 407 Scenic Drive. (photo by Peter Finkle, 2020)

Ashland Garden of the Month for April 2020

Ashland Garden Club’s Garden of the Month for April 2020, at 467 Scenic Drive. (photo by Peter Finkle, 2020)

467 Scenic Drive was chosen as the Garden of the Month by the Ashland Garden Club. Ruth Sloan of the Garden Club wrote: “The lovely garden at 467 Scenic Drive is the Ashland Garden Club’s Garden of the Month for April. It is a work-in-progress by homeowners Elaine Yates and Michael Costello who have had this property for 3.5 years. Although the yard had good bones, with handsome hardscape and fruit trees, the garden had been greatly neglected in recent years.”

467 Scenic Drive. (photo by Larry Rosengren)
467 Scenic Drive. (photo by Larry Rosengren)

Describing the garden, Sloan wrote: “Heathers, grape hyacinths, forsythia, azaleas (in the deer-proof back yard), and rosemary are the stars right now but soon the rhododendrons will burst forth so Elaine encourages readers to delay until late in the month or early next month visiting to admire the garden from the street.”

I have learned a lot and enjoyed being a member of the Ashland Garden Club. You can learn more about the club at https://ashlandorgardenclub.org/about/

467 Scenic Drive, house built in 1903. (photo by Larry Rosengren)

Before we move on along to the highlight of my Scenic Drive walk, I must mention that 467 Scenic Drive was built about 1903 in the Vernacular style of the early 1900s.

531 Scenic Drive, the oldest house on the street

531 Scenic Drive as it looks today. (photo by Peter Finkle, 2020)

When I got to this house, the oldest one on Scenic Drive, I felt like I stepped into a time machine. Come with me, and let’s journey together.

John L. Carter was a sign painter. When he moved to Ashland, he expanded his business to house painting as well. He and his wife Fannie were married in 1845, probably in the northeast where they were both born. I don’t know what year they arrived in Ashland, but the couple built this house around 1880. It was the first house on Woolen Street (now Scenic Drive), very near Orlando Coolidge’s nursery. 

531 Scenic Drive, photo taken in 1993 when Casey Bright was repairing the foundation. You can see just a little of the original vertical 1 1/4 inch thick barnboard walls below the gray asphalt shingles that had been applied over the barnboards at a later date. (photo provided by Casey Bright)

It was a simple house, built in the vernacular architectural style. The original 1880 house was a small two-story rectangular box — the gray building in the photo above — with 1 ¼” thick barnboard walls and layers of newspaper glued to the walls for insulation. Sadly, John Carter died only two years after they moved in, but his widow Fannie continued to live in the house until her death in 1905. 

In this 1995 photo, Casey and Jennifer Bright are on their newly constructed front porch with their daughters Jesse and Lily. (photo provided by Casey Bright)

Casey Bright was working in the front yard when I walked up and started to take photos of the house. He told me that when he and his wife Jennifer decided to move to Ashland in 1992 with their two young girls, this was one of the properties they looked at. The house and yard were a wreck. The house had been abandoned and was falling apart. There were rusty old appliances scattered around the yard. The healthiest part of the scene was a thriving patch of blackberry vines, about 20’ wide and 50’ long and 10’ high. That’s not normally the kind of thriving one looks for in a property! 

Casey laughed as he told me his wife was the visionary in the family. Back in 1992, as the two of them were standing looking at the wreck-of-a-yard, his wife turned to him and said, “This would be a great place for the girls to play.” Casey decided to trust his wife’s vision. He also was and is a contractor, so he agreed that the two of them would buy the house and take it on as a project. 

One reason Casey trusts his wife’s vision when it comes to houses is because she is an interior designer. I found out that Jennifer’s business, Twist Design Studio, can be found online at http://www.twistdesignstudio.com.

This photo was taken mid-renovation in 1995. (photo provided by Casey Bright)

The Bright’s could not find any early photos of the house, so they looked at other vernacular architectural-style houses built in the same period and incorporated those elements as they renovated their house. They were honored by the Ashland Historic Commission for their attention to detail with a Historic Preservation Award in 1997.

When the Brights renovated the house, they found original newspaper insulation glued to the barnboard walls. They left it in place, and built this “picture frame” in the new wall to showcase a small part of the newspaper insulation. (photo by Peter Finkle, 2020)

Once we started talking about the history of the house, Casey invited me in (keeping physical distance) and showed me a wall where newspaper had been used for insulation. To memorialize that history, Casey and Jennifer created a frame for a small section of one wall to show the newspaper, as you can see in the photo. 

Original newspaper insulation at 531 Scenic Drive. (photo by Peter Finkle, 2020)

When I looked closely (see photo above), I saw page 1 of a newspaper called The New Northwest from Portland, Oregon, an issue dated September 29, 1871. After I got home, I looked up the name of the newspaper and began another journey.

Abigail Scott Duniway 

The New Northwest is important in Oregon history. The newspaper was founded by pioneer Abigail Scott Duniway on May 5, 1871 to press for women’s right to vote (women’s suffrage). Northwest historian G. Thomas Edwards considered the founding of Duniway’s newspaper to be a key event launching the women’s rights movement in Oregon. 

Duniway was also a rare voice standing up for the rights of all people in Oregon, including Native Americans and Chinese immigrants. She published the newspaper until 1887.

Women’s right to vote

Oregon voters (all male) defeated women’s right to vote measures in 1884, 1900, 1906, 1908 and 1910. When a women’s suffrage referendum finally passed in 1912, Oregon Governor Oswald West asked an elderly Abigail Duniway (seated in the photo) to sign the official Oregon Proclamation of Women’s Suffrage. She was also honored for her decades-long struggle by being the first woman registered to vote in Multnomah County.  

Abilgail Scott Duniway (seated) is signing Oregon’s Equal Suffrage Proclamation with Governor Oswald West. (photo from the Library of Congress, accessed at the Oregon Encyclopedia)

For more of my time machine journey meeting women who led the women’s rights and women’s right to vote movement of the late 1800s (including the female 1884 Presidential candidate my grandmother was named after), see my in-depth article: History Converges at a House on Scenic Drive.

531 Scenic Drive, original fir wood floor is still in the house. (photo by Peter Finkle, 2020)

Now back to the house. In addition to some original walls and newspaper insulation, the fir wood floor in the living room is also from the 1880 house. Reviewing his long journey with this house, Casey told me with a smile, “28 years later, I’m still working on the house, now with the help of my teenage son.”

Unofficial Little Free Library on Scenic Drive, near Maple Street. (photo by Peter Finkle, 2020)

As I reached the end of Scenic Drive, I saw a family outside in their front yard at 546 Scenic working on their garden and building a new fence. I was happily surprised to see an unofficial Little Free Library artistically built in to the fence. You’ll notice that they have a section for children’s books on the lower level.

I will close with a quote from Abigail Scott Duniway that is as important today as it was more than 100 years ago.

“The young women of today, free to study, to speak, to write, to choose their occupation, should remember that every inch of this freedom was bought for them at a great price. It is for them to show their gratitude by helping onward the reforms of their own times by spreading the light of freedom and truth still wider. The debt that each generation owes to the past it must pay to the future.” 

Abigail Scott Duniway

I would like to recognize the Scenic Drive houses more than 100 years old that I did not describe in the article:

* 67 Scenic Drive, built 1909, Craftsman style
* 71 Scenic Drive, built c1910, Bungalow style
* 101 Scenic Drive, built 1910, Bungalow style, 1990s remodel changed it so much that it’s no longer considered historic
* 160 Scenic Drive, built 1910, Bungalow style, 1990s remodel changed it so much that it’s no longer considered historic
* 125 Scenic Drive, built 1905, Craftsman style architecture, enlarged and modified in 1990s, but still has most of its historic characteristics
* 275 Scenic Drive, built 1888, Vernacular style
* 283 Scenic Drive, built 1884, added to in 1888, Rural vernacular style
* 299 Scenic Drive, built c1886, Rural vernacular style, 1990s remodel changed it so much that it’s no longer considered historic
* 309 Scenic Drive, built 1910, Bungalow style, according to the National Register, a 1890 house here was razed, then this house was built in 1910. 
* 319 Scenic Drive, built c1900, Craftsman style
* 337 Scenic Drive, built c1905, Vernacular style, on a heavily landscaped lot
* 338 Scenic Drive, built 1888, Vernacular style, this is one of the few 19th century houses on the downhill side of Scenic Drive. It has been beautifully restored, but the 1990s remodel changed it so much that it’s no longer considered historic.
* 355 Scenic Drive, built 1911, Craftsman style
* 361 Scenic Drive, built 1905, Craftsman style, the projecting bay windows are not compatible with the historic architecture
* 447 Scenic Drive, built c1915, Bungalow style, but much altered and extended through the decades
* 487 Scenic Drive, built c1910, Craftsman style, by Henry Leavitt who had orchards in the area. 
* 532 Scenic Drive, built c1890, Vernacular style

References:

Bright, Casey, author interview, April 11, 2020.

Chambers, Jennifer. Abigail Scott Duniway and Susan B. Anthony in Oregon: Hesitate No Longer, The History Press, 2018. 

Duniway, Abigail Scott. Speech given at National Woman Suffrage Association Convention, Washington, D.C. March 4, 1884 [Abigail Scott Duniway Papers*]

Duniway, Abigail Scott. “Ballots and Bullets,” speech given at National Woman Suffrage Association Convention, Washington, D.C., circa January 21-23, 1889 [Sunday Oregonian 9 Sept. 1906]

Edwards, G. Thomas. Sowing Good Seeds: The Northwest Suffrage Campaigns of Susan B. Anthony. Portland, OR: Oregon Historical Society Press, 1990; pg. 16, as noted in Wikipedia, April 14, 2020.

Kramer, George. National Register Nomination Form for 407 Scenic Drive.

Kramer, George and Atwood, Kay. National Register of Historic Places, Skidmore Academy Historic District, August 14, 2001.

Sloan, Ruth. “467 Scenic Drive, Garden of the Month, April 2020,” Ashland Garden Club.

Stone, Jason. Portland New Northwest 1871-1887, at Historic Oregon Newspapers, University of Oregon, accessed April 14, 2020. https://oregonnews.uoregon.edu/history/newnw/

Ward, Jean M. “Abigail Scott Duniway (1834-1915),” Oregon Encyclopedia, accessed April 15, 2020.

Forest Street and May 2020 Garden of the Month

For people who love gardens and gardening. Many photos of flowers and native plants.

For people who love gardens and gardening.
Photos of trees, flowers and gates.

Garden of the Month
720 Forest Street. (photo by Larry Rosengren, 2020)

I began my Forest Street walk at the intersection with Liberty Street, one block uphill from Ashland Street. 

One end of Forest Street. (photo by Peter Finkle, 2020)

Deodar Cedar tree

A Deodar cedar tree on the uphill side provided my first uplifting moment and photo opportunity (photos on the left and top right, below). This is a young Deodar cedar. If you want to see an elder, go to the Safeway supermarket on Siskiyou Boulevard. There you will find Ashland’s 2002 Tree of the Year, a pair of majestic Deodar cedar trees (photo on bottom right, below).

This “gate with a heart” at 796 Forest Street next caught my eye. It doesn’t take much to transform a simple gate into something special.

Gate
A gate with a heart. (photo by Peter Finkle, 2020)

The Japanese maples and rhododendrons at 776 Forest Street provide contrasting shapes and colors. 

Japanese maple trees and rhododendrons
Japanese maple trees and rhododendron. (photo by Peter Finkle, 2020)

Ashland Garden Club “Garden of the Month” for May 2020

Yellow azalea
These dazzling yellow flowers in the side yard are Rhododendron luteum, commonly known as Yellow azalea or Pontic azalea. (photo by Larry Rosengren, 2020)

The highlight of my walk along Forest Street was the May 2020 Garden of the Month. Each month, the Ashland Garden Club chooses one garden in Ashland to feature. This is how Ruth Sloan of the Garden Club introduced the garden: 

“The wonderful garden at 720 Forest St. is a labor of love for homeowners Vicky Sturtevant and Alan Armstrong and is the Ashland Garden Club’s Garden of the Month for May. They have deftly combined edibles with ornamentals in this space they have gardened since 1983. It is a heavily shaded lot, particularly the upper, forested quarter-acre parcel that they purchased separately. In all, they have a half-acre that they manage beautifully. The hardscape was designed by Covey-Pardee Landscape Architects in 2009. Eric Cislo welded the gates and Ted Loftus constructed the stone walls.” 

Viewing the garden from the street, you can only see a small part of what makes this labor of love special. So I will take you behind the scenes for highlights of the garden, some history of the garden, and share several of Vicky and Alan’s delightful family stories.

Garden in 1983 and 2020

The house was built in 1951. Alan and Vicky purchased it in 1983. When they bought the house, the yard consisted of lots of lawn, lots of concrete and not much else. In a story many of us can relate to, Vicky explained to me it was their choice. When they were looking for a home to buy, the couple had small children who were always outside riding tricycles, bicycles and other wheeled vehicles. “When we bought the house,” Vicky told me, “our real estate agent asked what we wanted, and I said ‘a lot of concrete.’” She got what she wanted…but…Vicky went on, “We spent the next 30 years getting rid of concrete!”

Here’s a visual for you. The first photo shows the house and front yard in 1983, when it had lots of lawn and lots of concrete.

house in 1983
720 Forest Street, front yard in 1983. (photo by Alan Armstrong or Vicky Sturtevant, 1983)

The second photo shows the complete transformation. Taken in early May 2020, the front yard is now lush with blooming flowers and trees, a grape arbor, and a dozen varieties of vegetables not visible in this photo. 

front yard in 2020
720 Forest Street, front yard in 2020. (photo by Larry Rosengren, 2020)

The white flowering tree on the right is a dogwood. The small plant to the left of the path with intense magenta blooms is a native penstemon. This beautiful slate pathway extends around to the back of the house. 

My wife and I visited Vicky and Alan’s garden later in the month of May, so we saw different plants in bloom than Ruth and Larry saw during their early May visit for the Ashland Garden Club article.

More Larry Rosengren photos for the Ashland Garden Club 

Larry took a photo of the Redbud tree at peak bloom in early May. By the time I toured the garden in late May, the tree was filled with green leaves rather than magenta blossoms.

Redbud tree
720 Forest Street, Redbud tree in side yard. (photo by Larry Rosengren, 2020)

In this back yard photo, Larry caught three species of rhododendron blooming at the same time, right next to each other. The rainbow of lavender, magenta and white flowers side by side is a treat.

rhododendron
720 Forest Street, Rhododendron flowering in back yard. (photo by Larry Rosengren, 2020)

Native plants

Vicky and Alan love to discover and nurture plants native to the Pacific Northwest and Northern California. I took photos of seven native plants. The first one is special. I’ll tell you why.

Alice’s Fleabane

Alice's fleabane wildflower
Alice’s fleabane wildflower. (photo by Peter Finkle, 2020)

You might be wondering, as I did, why this wildflower is called “Alice’s fleabane.” I have two explanations for you, so you can take your pick. 

Number 1: When Vicky and Alan’s five year old granddaughter was introduced to this wildflower during a walk around the garden, she said, “This is my plant.” Now eight years old, every time she comes to visit her grandparents, she looks for Alice’s fleabane and loves to claim it: “This is my plant.” Why would she say this? I expect you already figured it out — her name is Alice.

Number 2: Born in 1859, Alice Eastwood was a pioneering botanist, a passion that began when she was very young. Here are the two books she received as high school graduation gifts: Porter and Coulter’s Synopsis of the Flora of Colorado (1874) and Gray’s Manual of the botany of the northern United States (1878).

After graduation, she lived in Colorado for 14 years, where she taught high school for income and spent every spare hour collecting plant specimens in the mountains. Her scholarly articles brought her attention, and she was asked to become the Curator of Botany for the California Academy of Sciences in San Francisco. She held this position from 1893 until 1949, a total of 57 years! “By the end of her tenure, she had added a total of 340,000 specimens to its collection and had built up a fine botanical library with her own funds.” [Mathrani]

Alice Eastwood c1910 (photo from wikimedia commons)

A number of plants were named after Eastwood, including Alice’s fleabane (botanical name Erigeron aliceae), which is a wildflower native to the meadows and woodlands of the Pacific Northwest. If you walk the slopes of Mt. Ashland, you might see this wildflower.

Shrub tan oak

Shrub tan oak
Shrub tan oak. (photo by Peter Finkle, 2020)

Shrub tan oak is native to the Oregon coast. It has abundant small acorns that are food for birds, squirrels, chipmunks, deer and other animals. The tan oak in this garden is a dwarf variety.

Oso berry

Oso berry
Oso berry. If you look closely, you may see one small berry on the plant. (photo by Peter Finkle, 2020)

Now we go from small acorns to small berries.  According to the Missouri Botanical Garden, “Birds and a variety of animals (e.g., squirrels, foxes, coyotes, raccoons, skunk, deer) love the fruit. Bears also eat the fruit as suggested by the common name of oso berry (oso from Spanish means bear).”

Western azalea

Western azalea
Western azalea. (photo by Peter Finkle, 2020)

The large white fragrant flowers make the Western azalea (botanical name Rhododendron occidentale) a pleasure to have in the garden. This azalea is native to Oregon and the Pacific coast.

High bush cranberry 

High bush cranberry
High bush cranberry. (photo by Peter Finkle, 2020)

I visited the garden when white flowers were blooming on the High bush cranberry. Don’t confuse this plant with juice and cranberry sauce cranberries grown in bogs in the Northeastern U.S. and along the Oregon coast. High bush cranberries