“Pacific Fisher” – Art on Ashland’s Bandersnatch Trail

The “Pacific Fisher” by Jeremy Criswell is part of Ashland, Oregon’s public art collection. I am writing an article about every public artwork in town.

Learn how it was made, step by step
Why is it named “Marty?”
31 photos!
Artist: Jeremy Criswell
Ashland Public Art series

Pacific Fisher sculpture by Jeremy Criswell, Ashland Oregon
Pacific Fisher sculpture at its site. (photo by Peter Finkle, 2020)

When I first saw the Pacific Fisher sculpture

My wife and I first saw the “Pacific Fisher” sculpture on the Bandersnatch trail in July 2020. As I climbed the hill and saw the front of the mosaic sculpture, I thought, “This is beautiful.” If you are not familiar with Bandersnatch trail, see detailed instructions for finding it at the end of this article. 

Pacific Fisher sculpture by Jeremy Criswell, Ashland Oregon
Face of Pacific Fisher sculpture, front detail. (photo by Peter Finkle, 2020)
Pacific Fisher by Jeremy Criswell
“Front” of Pacific Fisher sculpture. (photo by Peter Finkle, 2020)

When I walked around to the back of the piece, then came the “Wow!” I immediately wanted to learn what a Pacific fisher is and about the artist Jeremy Criswell. This article shares with you what I have learned.

Pacific Fisher sculpture by Jeremy Criswell, Ashland Oregon
Face of Pacific Fisher sculpture, back detail. (photo by Peter Finkle, 2020)
Pacific Fisher by Jeremy Criswell
“Back” of Pacific Fisher sculpture. (photo by Peter Finkle, 2020)

Jeremy’s artistic journey

When I asked Jeremy how he started making art, he laughed and told me “As a kid, I was sure I was not an artist. I couldn’t draw. But my grandpa was a potter. So when I got to RCC [Rogue Community College], I took a pottery [ceramics] class. I was fortunate that it was taught by Tom Wilson, who introduced me to sculpture and was an early inspiration for me.” 

This began his process of opening up to what he called “exploring and playing a lot.” His mind opened up to the natural creativity within him. He writes in his Bio: “With ceramics as my anchor, I began to explore other art forms. Painting, sculpture, woodworking, carpentry, and welding all found their way into my life.”

He studied art and ceramics at Humboldt State University for five years, then moved back to Oregon in 2006. He currently makes art in his home studio in the Applegate Valley. He wrote, “I created a space that supports all forms of my artwork, from tile and cement sculpture, to pottery, welding, and woodwork. My primary focus is on art for public enjoyment.”

Jeremy Criswell studio
Jeremy Criswell’s studio, from his website. (photo by Robert Frost)

When he is not making art, you will find Criswell in his fourth year of teaching at Madrone Trail school, a Waldorf-inspired public charter school in Central Point. 

Jeremy Criswell’s mentor

Criswell met Lilli Ann and Marvin Rosenberg when they were in their 80s and still creating public art projects for placement in Oregon and beyond. He and Lilli Ann clicked from the start, and he was her assistant from 2007 until her death in 2011.

Lilli Ann Rosenberg, 2007
This 2007 mosaic by Lilli Ann Rosenberg (pictured) for La Clinica was the first one Jeremy Criswell helped her with. (photo by Jeremy Criswell)

“Everything I know about mosaics I learned from her [Lilli Ann Rosenberg],” Jeremy told me. “For a number of years, I was her assistant. I was her eyes and hands in many ways. My work is incredibly influenced by her. The things that she held important, they became such a part of me … if anything, I think I honor her when I work.”

Lilli Ann and Marvin Rosenberg with sculpture by Jeremy Criswell, 2008
Lilli Ann and Marvin Rosenberg with Jeremy’s first mosaic sculpture (photo by Jeremy Criswell, 2008)

The photo above shows Jeremy’s first mosaic sculpture, made in 2008, which he described as “sort of a self-portrait.” He said: “This was a joyous moment for Lilli Ann and Marvin” because they could see that “what they shared was coming to life in me.”

Lilli Ann had created public art nationally for decades before she and Marvin moved to the Rogue Valley around 1990. In the Rogue Valley, the Rosenberg’s are most known for their incredible ability to engage with people in the community and for their mosaic artworks at many La Clinica buildings. 

In 1978, Lilli Ann’s created what may be her most dramatic piece. It is a 12-ton, 110’ mosaic tile mural installed at America’s oldest subway station – the 1897 Park Street station in Boston. 

Mosaic by Lilli Ann Rosenberg, Park Street subway station, Boston
Mosaic by Lilli Ann Rosenberg, Park Street subway station, Boston. (photo from MBTA)

The Watershed Art Group

The Pacific Fisher sculpture exists because Stef Seffinger, Pam Marsh and Sue Springer formed the “Watershed Art Group” to place public art along a trail above Lithia Park. Their goal — to bring attention to the importance of the watershed. They received support from the City of Ashland Public Arts Commission, with funding primarily from the Haines & Friends art fund. 

They put out a call for artists to propose ideas for a sculpture of a Pacific fisher, an important but little known animal in the Ashland Watershed. When Jeremy began his creative process, he had an idea to include leaves picked in the watershed as part of the design. Criswell’s mosaic design was chosen for this public art commission.

How the “Pacific Fisher” sculpture was made

The first step was design. Jeremy fine-tuned the design he had presented to the Watershed Art Group. Since he makes his own ceramic mosaic pieces, he visualized the colors, textures, shapes and sizes of the mosaic pieces for Pacific Fisher. Then he hand-made all the striped quarter moon tiles for the front side of the piece and the round green tiles for the back side. The glass tiles he used on the back side are hand-made Italian glass.

Ceramic tiles made by Jeremy Criswell
Hand-made ceramic tiles by Jeremy Criswell. (photo by Jeremy Criswell)

He cut out the exact shape and size of the sculpture in 2” thick Styrofoam. You can see in the photo below how he laid out his mosaic design.

Pacific Fisher sculpture by Jeremy Criswell, Ashland Oregon
Styrofoam mold of Pacific Fisher sculpture on slab of clay. (photo by Jeremy Criswell)

The Pacific fisher was built flat on his large work table. Jeremy began with a huge slab of clay about 1” thick, laid out on the table. The Styrofoam cutout of the Pacific fisher shape was laid on the clay for a mold and held firmly in place. 

He pressed the design of glass and ceramic mosaic pieces for the back side of the Pacific fisher into the soft clay, using gentle taps so the pieces would stay put but not sink into the clay. Each of the hundreds of pieces needed to be exactly where he wanted it. Once the mosaic pieces were in concrete, there was no going back!

Pacific Fisher sculpture by Jeremy Criswell, Ashland Oregon
Jeremy at work. (photo by Jeremy Criswell)

About half of the concrete (1” thick) was carefully poured into the mold so it would not move any of the small pieces that were pressed into the underlying clay. 

Pacific Fisher sculpture by Jeremy Criswell, Ashland Oregon
Half of the concrete has been poured into the mold. (photo by Jeremy Criswell)

As the cement dried, it “grabbed” the glass and ceramic mosaic pieces. When the cement was lifted off, the mosaic pieces remained attached to the cement.

After the first half of the concrete was poured in the mold, rebar armature was added for strength and for attaching the piece to its base. 

The second half of the concrete was poured, making the sculpture about 2” thick. While this concrete was moist, the quarter-moon shaped brown ceramic pieces on the other side of the Pacific fisher were placed directly into it. As I listened to Jeremy describe this, I started to get worried the cement would dry before he could apply all 140 or so mosaic pieces exactly where he wanted them. He laughed and told me, “You always have enough time. I used to get very, very frantic and Lilli Ann would tell me it would work.” (Back when he was her apprentice and assistant.)

Pacific Fisher sculpture by Jeremy Criswell, Ashland Oregon
Applying the tiles to the “front” side of the Pacific Fisher sculpture. (photo by Jeremy Criswell)

Working on his own a few years later, he once again would start to get frantic at this point in the process. Eventually he learned a routine to calm himself. “I would mix the cement, and while it was sitting in the wheelbarrow, I would go make a cup of coffee, just to remind myself that I had enough time.” When he told me there was a three-hour time period to work within before the cement dried, I was able to relax.   

“Real” leaves on the base

The base concrete was formed without a mold, using expanded metal lath as the structure. After hand-forming the base from thick wet concrete in and around the metal lath, he tapped the leaf ceramics into place before it dried. 

The ceramic leaves on the base had been created from fresh leaves Jeremy collected in the Ashland watershed. The multi-step process began by pressing the leaves into fresh clay and applying dark glaze around them. After carefully removing the leaves to preserve some detail such as the leaf veins, he fired the clay for the first time. Using a sponge, he then applied multiple colors of glaze to the individual leaves and fired the clay for a second time.

Pacific Fisher sculpture by Jeremy Criswell, Ashland Oregon
This photo shows the metal lath for base. (photo by Jeremy Criswell)
Pacific Fisher sculpture by Jeremy Criswell, Ashland Oregon
This photo shows the still damp hand-formed concrete applied over the metal lath. (photo by Jeremy Criswell)
Pacific Fisher sculpture by Jeremy Criswell, Ashland Oregon
The ceramic tile leaves have been placed in the base. (photo by Jeremy Criswell)

Introduced to the public in June 2015

Pacific Fisher sculpture by Jeremy Criswell, Ashland Oregon
Ashland Daily Tidings, April 21, 2015. (photo from Stef Seffinger)

The Watershed Art Group introduced Criswell’s Pacific Fisher to the public during Ashland’s June 2015 Earth Day celebration, held at ScienceWorks Museum. Then it was on display at the Ashland Library until its October dedication on the Bandersnatch trail. There was even a contest to name the mosaic statue.

Dedication in October 2015

Pacific Fisher dedication October 2015
This photo from the dedication shows John Stromberg, an unidentified woman, Stef Seffinger (Ashland Watershed Group member), Ann Seltzer, and Pam Marsh (Ashland Watershed Group member). (photo by Jeremy Criswell)

About 40 people attended the dedication of Pacific Fisher on the trail October 9, 2015. People toasted the first sculpture on this new “Art Walk” with sparkling cider and cookies in the shape of Pacific fishers. Dave Clayton, a wildlife biologist who has studied Pacific fishers, spoke about their role in the ecosystem.

Pacific Fisher dedication October 2015
Jeremy Criswell keeps an eye on his sons Adrian (on the left) and Alden “riding” the Pacific Fisher during the dedication. In the background, Diarmuid McGuire is talking with Barry and Kathryn Thalden.  (photo by Greta Nikkelsen)

Why is it named “Marty?”

At the sculpture’s dedication, Ashland City Councilor Stef Seffinger explained why this Pacific Fisher is named “Marty.” It honors Southern Oregon forester and ecosystem restoration expert Marty Main.

Seffinger added: “This is somebody who has spent over 30 years working in this forest, who has spent his life educating and making sure that creatures in the forest continue to have a home. That the trees in the forest continue to be healthy. He’s one of the most generous and most wonderful men I know. Thank you, Marty.”

Marty Main
Marty Main teaching in June 2012. (photo by Stef Seffinger)

Marty Main has been a consultant to the Forest Lands Commission since 1995, and he is widely respected in the community. Unknown to Main, several people from the City of Ashland Forest Lands Commission nominated the name “Marty.” He attended the dedication ceremony not knowing the sculpture would be named for him. He told me, “They surprised me. I was embarrassed.” 

What is a Pacific fisher?

Pacific fisher
Pacific fisher. (from the KS Wild website)

I asked Marty Main to tell me a little about the Pacific fisher. He explained that they are in the same family as weasels, and are about the size of a house cat. They are now rare on the West Coast, and a healthy, growing population of Pacific fishers in the Ashland watershed is a sign of ecosystem health in our watershed.

Throughout Oregon and North America, the population of Pacific fishers was decimated by the fur trade in the late 1800s, the use of powerful poisons at illegal marijuana grows in federal forests for decades (thankfully fewer since the legalization of marijuana) and the loss of old growth habitat. Pacific fishers nest and rest in large, older trees. They are nocturnal, so they are not very visible. 

What do they eat? Fish, of course…NO, not fish. Their unusual common name is thought to come from the word fiche (or fichet, or fitch, or fitchet), an old term for the pelt of a European polecat, a related animal that 19th century fur trappers were familiar with. 

They actually eat small mammals like mice, squirrels, rabbits, and one that’s a surprise…porcupines! Marty Main told me, “They are one of the few animals that eat porcupines. They have learned to flip porcupines over to get to the soft belly. They are unique that way.”

How to find the sculpture on the Bandersnatch trail

Just above Lithia Park, the Bandersnatch trail is one of the easiest Ashland trails to access. It begins near the swimming hole on Ashland Creek. If you are driving or biking, take Granite Street south to the swimming hole, then turn left on Glenview Drive.  

Glenview Drive, Ashland

After a short distance, you’ll see a parking area on the right that can accommodate about eight cars, followed by a larger parking area on the left. If you are in a car, park here.

Ashland trails

Near the smaller parking area is a sign that says, “Waterline Trail” and “To Bandersnatch Trail 820′.” 

Keep an eye out for mountain bikers zooming by in this section of the trail because this section is a multi-use trail. When you reach the Bandersnatch trail, it will be only for pedestrians and equestrians.

Ashland trails

You’ll know you are heading the right way if you pass this gate and sign.

You will reach the Elevation sculpture about 1/10 of a mile from the parking lot, while you are still on the Waterline trail. Next to Elevation is another sign pointing to the beginning of the Bandersnatch trail.

Ashland trails

When you see the Bandersnatch trail sign, head uphill a short distance to see the other two sculptures on this art walk: Pacific Fisher and Water is Life.

Built in 2012 for walkers and equestrians, Bandersnatch trail is 1.7 miles long and intersects multiple trails, so you can hike in a loop or just go straight up and back. 

Other art by Jeremy Criswell

Lilli Ann Rosenberg, 2007
Lilli Ann Rosenberg in 2007, creating a mosaic for La Clinica. (photo by Jeremy Criswell)

This piece, now at La Clinica in Central Point, was the first artwork of Lilli Ann Rosenberg that Jeremy helped create. It is still very meaningful to him.

Mosaic sculpture by Jeremy Criswell
Mosaic sculpture by Jeremy Criswell at Applegate School. (photo by Jeremy Criswell)

This tree mosaic Jeremy called “Tree of Living Things” was created in 2017 or 2018 when he was the artist in residence at Applegate School. Every one of the school’s 100 students was involved in creating the artwork. Each one drew an animal or plant, pressed the drawing into clay and then painted it. Jeremy incorporated all of these into the mosaic tree. Look closely to see similarities between his hand-made tiles used in this mosaic and the ones used in Pacific Fisher.

Tortoise by Jeremy Criswell at Cantrall Buckley park
Tortoise by Jeremy Criswell, Cantrall Buckley County Park. (photo by Peter Finkle, 2020)

The tortoise at Cantrall Buckley County Park is one of Jeremy’s favorite pieces because of the way kids climb on it, interact with it and have fun with its colorful personality. 

Finally, what is a Bandersnatch?

I don’t suppose it’s helpful to know that the Bandersnatch is found in the vicinity of the Jabberwock and the Jubjub bird. It might be more helpful to know that it occurs in the follow-up book to Alice in Wonderland, in which nearly everything is topsy turvy.

“Beware the Jabberwock, my son!
The jaws that bite, the claws that catch!
Beware the Jubjub bird, and shun
The frumious Bandersnatch!”

Lewis Carroll, from the poem Jabberwocky in Through the Looking-Glass and What Alice Found There, 1872)

More articles about Ashland Public Art

“Elevation” – Art on the Bandersnatch Trail
https://walkashland.com/2020/08/28/elevation-art-on-ashlands-bandersnatch-trail/

Street Scene Sculpture: Who Are These People?
https://walkashland.com/2020/05/26/street-scene-sculpture-who-are-these-people/https://walkashland.com/2020/05/26/street-scene-sculpture-who-are-these-people/

Ashland Public Art map

A map at the link below shows City of Ashland public art, from the city website. Photos of the art are by Graham Lewis.
https://gis.ashland.or.us/publicart/

References:

Anon. “Pacific Fisher is One Cool Critter,” KS Wild website, accessed September 22, 2020.
https://www.kswild.org/imperiled-species-profiles/2017/6/12/pacific-fisher

Criswell, Jeremy. Interview and personal communications, August and September 2020. Jeremy graciously shared some of his personal photos with me.

Darling, John. “Watershed Art Trail: Elusive Pacific Fisher to have prominent spot,” Ashland Daily Tidings, April 21, 2015. 

Darling, John. “Mural artist Lilli Ann Rosenberg leaves a lasting legacy,” Medford Mail Tribune, July 23, 2011.

Dickinson, Alec. “Ashland Watershed Art Trail inaugurated with unveiling of ‘Marty,’” Ashland Tidings, October 12, 2015. 

Main, Marty. Interview, September 2020.

Marsh, Pam. Email communications, September 2020.

Seffinger, Stef. Interview and communications, August and September 2020.

“Elevation” – Art on Ashland’s Bandersnatch Trail

“Elevation” – First artwork of three as you walk Bandersnatch trail
Artist: Cheryl Garcia
Ashland Public Art series

Introducing the artist

Cheryl Garcia has loved art ever since she could pick up a crayon. I will describe her artistic journey after I introduce her Ashland public artwork entitled “Elevation.”

Creation of Elevation

The “Watershed Art Group” (originally Stef Seffinger, Pam Marsh, Sue Springer and a few others) wanted to place public art along the Bandersnatch trail above Lithia Park. Their goal was to bring attention to the importance of the Ashland Creek watershed, where we source our drinking water. Three sculptures have now been placed along the trail: Elevation, Pacific Fisher and Water is Life. They received funding primarily from the Haines & Friends art fund.

When you walk the Bandersnatch trail, the first of the three sculptures you will see (just before the trail starts) is Elevation by Cheryl Garcia. Cheryl is a metal artist, and Elevation is made of steel. Her initial concept for Elevation included a poem by Edward Abbey with three small birds flying above it. 

Ashland public art
Cheryl Garcia’s original concept drawing for Elevation. (photo by Cheryl Garcia)

Over time, the design became three large birds representing the “elevation” you experience as you walk up Bandersnatch trail, as well as a hope for elevation in our spirits through art and nature. 

Ashland public art
Elevation, with a view of trail continuing to the right of the sculpture. (photo by Peter Finkle, 2020)

My question: What brought you to metal art?

I asked Cheryl how she came to love metal art. She replied: “It goes back to my love of junky old iron as a kid. My grandfather was a collector of artifacts. I loved going into his garage and digging around in all of his artifacts and playing around with tools. I loved going around collecting rusty old iron in the canyons of southwest Colorado where I grew up. I fell in love with the material first.”

As a child, Cheryl entered many local art contests, whether it was a coloring contest or who could draw a scene from Mesa Verde National Park the best. 

“I won quite a few art contest prizes as a kid, including a year’s supply of free fountain sodas from a local convenience store.” 

Cheryl Garcia

She laughed as she told me, “I was a popular kid,” and then “I think they didn’t do that [contest] any more after I won it, because I was down there every single day getting my free sodas with my friends.”

After a couple years off from school, when she worked drawing illustrations for archeological digs in the Four Corners area, she took every art class at Fort Lewis College in Durango, Colorado. During trips to Santa Fe, she was inspired by the large scale metal art sculptures there. Since welding was not offered at Fort Lewis College, she switched to a vocational school and became a certified welder in 1993. That opened the door to metal working and metal art.

Love at first sight

When she lived in Missoula, Montana for a year to enjoy the music scene there and work as a welder, she met her husband Criss. It was a case of “love at first sight” – not the sappy movie kind, but the lasting real-life, through the ups and downs to this day kind.

It was through Criss that they decided to move to Ashland in November 1996. “It was just what we were looking for.” Her first Southern Oregon job at Medford Fabrication enabled her to save enough money to purchase her own metal work and welding equipment. 

“Living my dream”

Cheryl Garcia
Cheryl Garcia in 1998. (photo by Criss Garcia)

Now that she owned her own equipment, Cheryl said goodbye to the 9-to-5 in order to “live my dream.” She began by making garden ornaments that she sold at the Growers and Crafters Markets in Ashland and Jacksonville.  

Cheryl Garcia
Garden ornaments Cheryl sold at Growers Markets in 1998. (photo by Criss Garcia)

People who bought her garden ornaments started asking her to make gates and handrails for them. She found out that making structural art required a contractor’s license. Dedicated to growing both her skills and her business, she went to Rogue Community College and got the license. Since then, she has made many bright-colored nature-inspired sculptures both large and small, gates, fences, vessels, sacred art and more. 

She is especially proud of a large spiral staircase she built for a private customer, a project that required her to draw upon all of her skills and creativity.

Cheryl Garcia
Spiral staircase by Cheryl Garcia in a private residence. (photo by Cheryl Garcia)

Public art

Though she accepts many private commissions, Cheryl especially enjoys creating public art: “I certainly enjoy the public commissions the most, because they’re reaching a bigger audience. I know the joy and wonder I am trying to put out in the world is affecting more lives than just a private commission.”

Cheryl Garcia

Cheryl is a visible artist in Southern Oregon. If you have been to Jacksonville in the past few years, you may have seen her huge poppy flowers in the vineyard just outside of town. (photo by Peter Finkle)

Ashland public art

If you drive by Walker School on Walker Street in Ashland, you may have seen her large flowers on the school grounds.

Sunflower by Cheryl Garcia at Walker School. (photo by Peter Finkle, 2020)

Cheryl Garcia, Britt Festival

If you have been to Britt Music Festival in the past few years, you have walked by her huge flower sculpture at the Britt entrance.

Cheryl Garcia poses with her Brittilaria sculpture at the Britt Festival grounds. It is named for the fritillaria flower.

(photo by Rita Ashley)

Elevation: the artistic process

Cheryl Garcia at work in her studio. (photo by Jim Craven)

Now let’s look in detail at the piece called Elevation, which was installed near the beginning of the Bandersnatch trail. Elevation began with a Corten steel plate, a stainless steel plate, steel posts, more steel plates for the base, nuts, bolts, paints and more.  Corten steel is a quick-rusting steel often used for outdoor installations. The different pieces were each cut out and worked on individually before they could be put together.

This 4-minute video shows an overview of the entire process of creating Elevation.

To complement the video, here is my summary of the steps involved, illustrated with photographs taken from the video. First, the heart of Elevation is the Corten steel plate. Cheryl drew a complex design on the steel, then cut precise holes in the steel with a plasma cutting tool. 

Second are the rigid side-poles that support the Corten steel plate and anchor it to the base. 

Third is the steel base, which in this case required two large pieces of steel with bolts anchoring it both to the sculpture above and to the concrete foundation below. In most of her jobs, Cheryl makes the concrete foundation as well as the metal sculpture. “That’s why part of my contractor’s license is certification in concrete work as well,” she said. In this case, the Parks Department was responsible for the concrete foundation. 

Ashland public art
Steel base for Elevation, showing the mounting bolts. (photo from the Cheryl Garcia video)

Fourth, the three birds were cut out of stainless steel. The steel had to be ground, sanded and buffed until it was smooth to the touch, without sharp edges. 

Ashland public art
Stainless steel birds being painted. (photo from the Cheryl Garcia video)

After each individual part was done, she finally put it all together. The birds were welded to the Corten steel plate from the back side. After they were attached, everything was masked off in order to apply anodized, long lasting industrial paint for the blue color of the birds.

Ashland public art
Corten steel of Elevation before the rusting process. (photo from the Cheryl Garcia video)

Finally, the rusting process is a key part of the artwork that we see but don’t normally think about. Cheryl painted a chemical solution on the Corten steel, which is made to rust quickly. She said, “It [the Corten steel] takes a chemical solution I can put on. The rusting itself takes some finessing as well; I don’t want it to go too far, and I don’t want it to be too little. So I need to use the right amount of chemical solution to get the perfect rust and then neutralize it with a neutralizer, then rinse it all down before the installation.” 

There is so much that people don’t see, including “a lot of grinding” that goes into every piece of artwork. Cheryl summed up, “It is very labor intensive.”

Ashland public art
Detail of Elevation showing the Corten steel on site after the rusting process. (photo by Peter Finkle, 2020)

Installation and Dedication

Elevation was installed at the site in June of 2018. The dedication ceremony didn’t happen until September 2018. As it turned out, the dedication for both Elevation and Water is Life (also on Bandersnatch trail) were held on the same day.

Where to find Elevation

My wife and I first walked the Bandersnatch trail to see the three public art sculptures there in July 2020. Just above Lithia Park, the Bandersnatch trail is one of the easiest Ashland trails to access. It begins not far from the swimming hole on Ashland Creek. If you are driving or biking, take Granite Street south to the swimming hole, then turn left on Glenview Drive. After 2/10 of a mile, you’ll see a parking area on the right that can accommodate about eight cars, followed by a larger parking area on the left. If you are in a car, park here.

Ashland trails
Sign near the parking area on Glenview Drive pointing the way to Bandersnatch trail. (photo by Peter Finkle, 2020)

Near the parking area is this sign that says, “Waterline Trail >” and “To Bandersnatch Trail 820′.” Keep an eye out for mountain bikers zooming by in this section of the trail because this section is a multi-use trail. When you reach the Bandersnatch trail, it will be only for pedestrians and equestrians.

You’ll know you are heading the right way if you pass this gate and sign.

Ashland trails
Next clue that you are heading in the right direction to see Bandersnatch trail artworks. (photo by Peter Finkle, 2020)

You will reach the Elevation sculpture about 1/10 of a mile from the parking lot, while you are still on the Waterline trail.

Ashland trails

Next to the Elevation sculpture, you will see this sign.

Continue up to the Bandersnatch trail if you want to see the other two sculptures on this art walk: Pacific Fisher and Water is Life. Continue to keep an eye out for mountain bikers until you reach Bandersnatch trail. Built in 2012, Bandersnatch trail is 1.7 miles long and intersects multiple trails, so you can hike in a loop or just go straight up and back.

Ashland trails
Not far past Elevation is the official beginning of the Bandersnatch trail, where you will find the other two works of public art. (photo by Peter Finkle, 2020)

What is a Bandersnatch?

You may be wondering, as I did, “What is a bandersnatch?” It is found in the unusual world of “Alice in Wonderland.” Here is how it is described.

“Beware the Jabberwock, my son!
The jaws that bite, the claws that catch!
Beware the Jubjub bird, and shun
The frumious Bandersnatch!”

Lewis Carroll, from the poem Jabberwocky in Through the Looking-Glass and What Alice Found There, 1872)

Cantrall Buckley County Park

Because I am writing about Cheryl Garcia’s artwork, I want to briefly introduce you to the sculptures being installed at 88-acre Cantrall Buckley county park, located along the Applegate River near Ruch. The park and community have collaborated to raise funds for what has become an Art Walk at the park. 

The art in the park began with concrete and mosaic artwork Applegate Valley artist Jeremy Criswell created for the playground at the park. 

Cantrall Buckley park
Tortoise mosaic and concrete sculpture by Jeremy Criswell, located in the children’s playground at Cantrall Buckley County Park. (photo by Peter Finkle, 2020)

Jeremy is the sculptor of the Ashland public art piece on the Bandersnatch trail called “Pacific Fisher.”

He introduced community members to Cheryl Garcia, which resulted in a plan for Cheryl to create eleven metal art pieces that embody local flora and fauna in the Applegate Valley. She has completed eight so far as of August 2020, with three more to go.

Cantrall Buckley park
Mock Orange by Cheryl Garcia, at Cantrall Buckley County Park. (photo by Peter Finkle, 2020)

The community group A Greater Applegate wrote: “Art enthusiasts are delighted to see the numerous sculptures in the Educational Sculpture Art Walk series installed near the river. Cheryl Garcia, our very talented Jacksonville artist, completed the first awe-inspiring metal rendition, “The Mock Orange,” in the Fall of 2018. This spectacular 12-foot sculpture depicts the large and beautiful white blossom of this tender but tough native species.”

Cheryl enthusiastically described the project to me, and said, “It will become Southern Oregon’s first sculpture park!” 

If you would like to learn more about Cheryl’s work, her website is GreatMetalWorks.com.

Cantrall Buckley park
Northern Flicker by Cheryl Garcia, at Cantrall Buckley County Park. (photo by Peter Finkle, 2020)

Ashland Public Art map

A map at the link below shows City of Ashland public art, from the city website. Photos of the art are by Graham Lewis.
https://gis.ashland.or.us/publicart/

Here is my other Ashland Public Art article published so far.

Coming soon: Pacific Fisher sculpture by Jeremy Criswell, also on the Bandersnatch trail.

Coming soon: Water is Life sculpture by Karen Rycheck, also on the Bandersnatch trail.

References:

Anon. “Ashland Public Art Collection: A map tour of Public Art installations in the City of Ashland, Oregon,” City of Ashland website.

https://gis.ashland.or.us/publicart/

A Greater Applegate, http://agreaterapplegate.org/cantrall-buckley-park/

Jackson County Parks, https://jacksoncountyor.org/parks/Day-Use/Cantrall-Buckley

Anon. “Cantrall Buckley Sculpture Park Takes Shape, Jacksonville Review Online, June 5, 2018. https://jacksonvillereview.com/cantrall-buckley-sculpture-park-takes-shape/

Garcia, Cheryl. Interview and personal communications, August 2020.

Seffinger, Stef. Interview and personal communications, August 2020.