Category: Yard Art

Fordyce Street: from sawmills to art!

Fence murals? Yes!
(Learn about the artists)
Yard art? Yes!
43 photos!
Art around Ashland series.

“There’s a 25’ long multi-colored Jellyfish on Fordyce Street!” That’s the email message I got from a friend who reads my Walk Ashland articles. No, we don’t have a new aquarium on Fordyce Street, but we do have a jellyfish. My friend proved it to me with attached photos. Here’s one for you.

Fordyce Street, Ashland Oregon
Overview of the Jellyfish mural on Fordyce Street, painted by J. Mike Kuhn. (photo by Peter Finkle, 2020)

When I went to Fordyce Street to investigate, what I found surprised me.

Art and Community

I have recently been writing many articles about art in Ashland. The Fordyce Street mural artists with whom I spoke believe in the power of visual art to elicit smiles, to bring people together, even to change lives for the better. They believe, as I do, that art within the community is important. Going to an art museum is a rare experience for most people, and a “never” experience for many. On the other hand, driving or bicycling or walking around our community is an everyday experience for almost everyone.

Artist J. Mike Kuhn echoed what I have heard from many other Ashland artists, when he told me: “It’s so cool how we can connect and inspire others. I may never get to meet some of the people that I inspire, but I think it’s interesting that you can really do that.”

Not just one fence mural

I found the 25’ jellyfish; it’s a mural painted on a fence. It is hard to miss! Then I started walking around the neighborhood and pretty soon I had a photographic collection of not two, not three, but six colorful fence murals, along with creative yard art and other beautiful sights.

As I was walking back to my car, I stopped to look once again at the longest fence mural of all. This was at 573 Fordyce Street. At that moment, in a small example of the “WalkAshland serendipity” I experience again and again, the homeowner Peter Paul Montague and his daughter came out of their front door. As they were about to get in their car, I said “Hello” and introduced myself.  I asked him if he knew who painted the mural on his fence, and he replied, “I did.” He was on his way to pick up another child, so we agreed to meet another time for an interview. Before I tell you about the artists, here are some other highlights of Fordyce Street.

Let’s begin our Fordyce Street walk at the corner of East Main Street 

Fordyce Street, Ashland Oregon
This street sign marks the south end of Fordyce Street, where it meets East Main Street. (photo by Peter Finkle, 2021)

At its south end, Fordyce Street meets East Main Street. To the north, it ends after about six blocks at private property that overlooks and extends to Bear Creek. If you want to reach a trail to North Mountain Park from here, turn left on Munson Drive, right onto Village Square Drive, and keep an eye out for the trail that leads into the park.

Ashland as a mill town?

As I started my walk, I met Denise, who has lived in the neighborhood since 1980. She described Fordyce Street of that time as a gravel road with only six or seven houses along it. She remembers a sawmill wigwam burner still present in the neighborhood, a magnet for young boys to play in, though the sawmills had all closed. In the photo below, you can see a wigwam burner in the background that was at another sawmill just a couple blocks away.

Sawmill, Ashland Oregon
Lithia Lumber Mill at 1155 East Main Street, which is now the site of the Ashland Police Station. The mill operated from the 1940s to the 1960s under three different names. (photo from “An Introduction to History of the Rogue Valley: with a focus on the Ashland area,” December 2012 edition.)

Most people who have moved to Ashland during the past 40 years don’t know that Ashland was a mill town not so long ago. There were at least nine sawmills operating here during the mid-20th century.

Sawmill, Ashland Oregon
Taylor Brothers Mill on Hersey Street, now site of the Hersey Street Business Park, open 1947 to 1960, (photo from “An Introduction to History of the Rogue Valley: with a focus on the Ashland area,” December 2012 edition.)

The Oregon Sawmill site was along Fordyce Street from 1956 to 1967. Lithia Lumber Mill had been located two blocks away, where the Ashland Police Station is now, from the 1940s to the 1960s. A third sawmill called Workman Mill was across East Main Street from the early 1950s to early 1960s. Now you know why the college student housing located at its former site is called Old Mill Village. 

Creative art along Fordyce Street

In addition to beautiful murals, I found other creative and interesting art to share on our walk from the south end to the north end of Fordyce Street. 

Fordyce Street, Ashland Oregon
This is a beautiful slate or stone fence on Fordyce Street at Calypso Court. (photo by Peter Finkle, 2021)
Fordyce Street, Ashland Oregon
Detail of a beautiful slate or stone fence on Fordyce Street at Calypso Court. (photo by Peter Finkle, 2021)
Fordyce Street, Ashland Oregon
And now, a word from a local comedian. Morgue gallows humor? (photo by Peter Finkle, 2021)
Fordyce Street, Ashland Oregon
Here is some Fordyce Street art in metal and wood, designed by Kerry KenCairn. (photo by Peter Finkle, 2021)
Fordyce Street, Ashland Oregon
This gate on Kirk Lane is metal art at the same house that has the large metal and wood artworks around the corner on Fordyce Street. This gate is also by Kerry KenCairn. (photo by Peter Finkle, 2021)

Right across the street from this metal and wood gate is a colorful gate painted by Peter Paul Montague, who also painted the fence on both sides of the gate.

Fordyce Street, Ashland Oregon
Gate detail of the Sol LeWitt inspired mural on Kirk Lane by the corner of Fordyce Street, painted by Peter Paul Montague. (photo by Peter Finkle, 2021)
Fordyce Street, Ashland Oregon
Another artistic gate on Fordyce Street. This one was designed by Mardi Stone. (photo by Peter Finkle, 2021)

This house at 540 Fordyce Street has several creative artworks that I stopped to admire.

Fordyce Street, Ashland Oregon
540 Fordyce Street. (photo by Peter Finkle, 2021)
Fordyce Street, Ashland Oregon
This fascinating sculpture and stained glass is at 540 Fordyce Street. (photo by Peter Finkle, 2020)
Fordyce Street, Ashland Oregon
Detail photo of a fascinating sculpture and stained glass at 540 Fordyce Street. (photo by Peter Finkle, 2020)
Fordyce Street, Ashland Oregon
I like the artistry of this fence at 540 Fordyce Street. (photo by Peter Finkle, 2020)
Fordyce Street, Ashland Oregon
More creativity at 540 Fordyce Street. This design of pavers is in the driveway. (photo by Peter Finkle, 2020)
Fordyce Street, Ashland Oregon
This yard art on Fordyce Street is exceptional. Somehow it combines simplicity, complexity, cuteness and cleverness in one humble jumble of driftwood and stones. I love it. (photo by Peter Finkle, 2020)
Fordyce Street, Ashland
520 Fordyce Street. This house replaced one that burned in a fire September 2018. A neighbor out walking her dog told me the first floor walls of the new house are made with straw bale construction. (photo by Peter Finkle, 2021)
Fordyce Street, Ashland Oregon
What’s cuter: the saying or the statue? What’s wiser: the saying or the tree? (photo by Peter Finkle, 2021)
Fordyce Street, Ashland Oregon
Coming to the north end of Fordyce Street, with Bear Creek below and Grizzly Peak above. (photo by Peter Finkle, 2021)
Fordyce Street, Ashland Oregon
When I saw this old fence and the old tree stump beside it, I couldn’t figure out whether to call it art or nature. (photo by Peter Finkle, 2021)

Introducing the mural artists

Peter Paul Montague painted five geometric murals. J. Mike Kuhn painted the dramatic jellyfish mural. I interviewed both Peter Paul Montague and J. Mike Kuhn so I could do justice to their artwork and their artistic stories.

Peter Paul Montague’s artistic background

Before Montague entered his current profession of nursing, he supported himself for many years as a craft artisan, batiking on organic cotton clothing. 

He had played with paints as a child, but didn’t get serious about art until after graduating from college with a degree in Sociology. During a one month hiking trip in California’s Sierra Nevada mountains, he learned about batik art from a friend who had trained in Kenya. Spending a summer travelling with his friend, Montague learned the basics of the East-African Batik tradition.   Montague would spend the next 14 years making and selling Batik clothing as Nakupenda Batik.  He focused on sustainable practices, using only organic cotton clothing, beeswax, and specializing in natural indigo dye.

Made from the Indigo plant, this natural dye has been used for thousands of years. Note however that blue jeans and most other indigo dyed clothing are now made from synthetic indigo dye. Montague’s largest batik art was a 9′ by 9′ wall hanging, but what put food on his table for many years was his batik clothing.

“Philadelphia, where I grew up, is full of public art.”

Peter Paul Montague

“I grew up with public art,” he told me. His hometown of Philadelphia is known as the City of Murals. According to their website, “Mural Arts Philadelphia is the nation’s largest public art program, dedicated to the belief that art ignites change. Mural Arts has created over 4,000 works of public art through innovative collaborations with community-based organizations, city agencies, nonprofit organizations, schools, the private sector, and philanthropies.”

He was inspired and influenced by…

When I walked Fordyce Street with Peter Paul Montague, he told me the names of two artists who influenced his mural painting style. Sol LeWitt inspired him to experiment with bold colors and geometric designs on large “canvases” (such as fences). Isaiah Zagar, mosaic artist in the Philadelphia South Street neighborhood, inspired him to be imaginative.

Here’s an example of one of LeWitt’s large pieces.

Sol LeWitt mural
A mural by Sol LeWitt at Columbus Circle Station, New York City. (photo from Wikimedia Commons, 2017)

Here’s a peek at Zagar’s mosaic work in Philadelphia. 

Isaiah Zagar Magic Gardens
A detail from Isaiah Zagar Magic Gardens, 1020 South Street, Philadelphia. (photo from Wikimedia Commons, 2012)

Peter Paul Montague’s murals and process

“My goal is for people to feel movement when they view the paintings, even though they are static.”

Peter Paul Montague
Fordyce Street, Ashland Oregon
Overview of the Sol LeWitt inspired mural on Kirk Lane by the corner of Fordyce Street, painted by Peter Paul Montague. (photo by Peter Finkle, 2021)

The first fence he painted was his long fence along Kirk Lane, with a boldness and color palette inspired by Sol LeWitt’s work. The long fence provided 60′ to work with. He created outlines for the curves using string and a pivot point, and filled in the outlines with high quality wood stains to provide color.

  • Kirk Lane and Fordyce Street, Ashland Oregon
  • Kirk Lane and Fordyce Street, Ashland Oregon
Early in the process of the Sol LeWitt inspired mural on Kirk Lane by the corner of Fordyce Street, painted by Peter Paul Montague. (photo courtesy of Peter Paul Montague)

His property has a LOT of fence, and his second painting was done on a continuation of the first long painted fence. In this one, he got more creative with his shapes and chose a theme of “circle and waves” for the mural. 

  • Fordyce Street, Ashland Oregon
  • Fordyce Street, Ashland Oregon
Detail and overview of the “circle and waves” themed mural on Kirk Lane near Fordyce Street, painted by Peter Paul Montague. (photo by Peter Finkle, 2020)

A neighbor volunteered his fence for Montague’s third fence painting. This attractive art has a new theme: “rivers and mountains.” You’ll notice a variety of blues and greens for the flowing river and browns and reds for the stylized mountains. 

Fordyce Street, Ashland Oregon
Overview of the “rivers and mountains” themed mural on Fordyce Street, painted by Peter Paul Montague. (photo by Peter Finkle, 2020)

Montague shared some of his in-process design and painting photos with me. It is fascinating to see glimpses of how it was created.

  • Fordyce Street, Ashland Oregon
  • Fordyce Street, Ashland Oregon
Here is the “rivers and mountains” themed mural on Fordyce Street in-process, getting started and then “rivers starting to flow,” painted by Peter Paul Montague. (photo courtesy of Peter Paul Montague)
  • Fordyce Street, Ashland Oregon
  • Fordyce Street, Ashland Oregon
Here is the “rivers and mountains” themed mural on Fordyce Street in-process on the left, and a detail of the “rivers” on the right, painted by Peter Paul Montague. (photo courtesy of Peter Paul Montague)

Another neighbor liked the designs so much that they asked if he would collaborate with them to create a design for their fence. The result has a theme of “interlocking circles.” Notice how each band of color changes as it moves from one circle to the next. That really impressed me.

Fordyce Street, Ashland Oregon
Overview of the “interlocking circles” themed mural on Fordyce Street, painted by Peter Paul Montague. (photo by Peter Finkle, 2021)
Fordyce Street, Ashland Oregon
Detail of the “interlocking circles” themed mural on Fordyce Street, painted by Peter Paul Montague. (photo by Peter Finkle, 2021)

Finally, there is a smaller design in Montague’s front yard. He called it a “color study,” since he experimented with color blending by using a second, dry brush to create subtle gradations of color.

Fordyce Street, Ashland Oregon
Overview of the “color study” themed mural on Fordyce Street, painted by Peter Paul Montague. (photo by Peter Finkle, 2020)

Jellyfish mural by J. Mike Kuhn

It’s not often that one sees a 25’ long jellyfish in Ashland. Unless of course you live in the Fordyce Street neighborhood! This fence mural was painted by local artist and graphic designer J. Mike Kuhn in 2020. 

Fordyce Street, Ashland Oregon
Overview of the Jellyfish mural on Fordyce Street, painted by J. Mike Kuhn. (photo by Peter Finkle, 2020)

“I thought it would be cool to donate a more permanent mural to the town. A lot of my other work has been painting murals on vehicles, 13 or 14 since I moved to Ashland.”

J. Mike Kuhn

Why a jellyfish?

Kuhn grew up in New Jersey, where he would spend summers at the Jersey Shore. If you spend time on his website, you will see the themes of ocean and wave and flow. You will see many colorful artistic versions of the creatures who live under the waves. 

His brand name is FEEESH, a play on words. Playful yet serious. 

Mike told me that FEEESH stands for “Forever Energetically Entering Endeavors Spreading Happiness.” 

How many people are able to capture in six words not only their approach to art, but also their aspiration for a life well lived and their desire to uplift others in the community? I gained a tremendous respect for this young man when I took a few minutes to consider seriously his eccentric brand name.

Making the jellyfish mural

Fordyce Street, Ashland Oregon
Here is the Jellyfish mural in-process, prep work done on the fence but before painting. (photo courtesy of J. Mike Kuhn)

Kuhn described many layers of meaning in the design and execution of this jellyfish. With bamboo growing behind the fence, he wanted the light green base of the mural to emulate and blend with the ever-changing greens of bamboo leaves reflecting the sun. In addition, the flowing jellyfish blends with the flowing nature of bamboo moving in the wind.

Fordyce Street, Ashland Oregon
Here is the Jellyfish mural in-process, early in the painting. (photo courtesy of J. Mike Kuhn)

A deeper conceptual thought embodied in the mural was inspired by Xavi, a mural artist Kuhn worked with and learned from in 2019 (see more about Xavi below). Kuhn sees the jellyfish coming out of tumultuous times, as expressed in the color selection and design on the left end of the mural, and going in to a calmer area.  

Fordyce Street, Ashland Oregon
Here is the Jellyfish mural in-process, as darker green paint is being applied. (photo courtesy of J. Mike Kuhn)

On the first day, he painted the entire background. The larger light green section received one coat to age faster and the multiple hue section was double coated to endure longer. On the second day, he painted the jellyfish using mostly darker tones of spray paint in order to last longer against sun fading and to offer stronger contrast.

Fordyce Street, Ashland Oregon
Closer view of the Jellyfish mural on Fordyce Street, painted by J. Mike Kuhn. (photo by Peter Finkle, 2020)

From the beginning, he thought about the life of the mural. He pointed out how light moves across the mural throughout each day. It gets full sun in the morning, then partial sun, then full shade late afternoon. Because of the full sun, he expects the light green paint to fade more quickly than the spray paint. Over time, the wood’s natural grain will begin to show through the light green paint around the jellyfish, and the relationship of the jellyfish to the fence will gradually change. Seeing the wood’s natural grain in this mural will also reference the nearby murals by Peter Paul Montague, who used stain colors that allow the underlying wood grain to become part of the design.

Here is an artist’s detail I would not have noticed. The gray color in the jellyfish is actually chrome spray paint, not gray. Chrome is basically a gray color, but it reflects more sunshine to add a bit of shimmer on sunny mornings. As the day goes on, it becomes a normal flat gray color.  

Fordyce Street, Ashland Oregon
Artist at work. J. Mike Kuhn is shown painting the Jellyfish mural. (photo by Emily Dunckle, courtesy of J. Mike Kuhn)

The neighborhood mural artists meet

As Kuhn was working on his jellyfish mural, Montague (who lives a block away) stopped by to watch and talk. Kuhn appreciated this, and added, “I was lucky enough to give him a compliment in person, since I love his pieces. I think they’re beautifully sophisticated and so well executed. I thought I had to do a good job just to do justice to his work.” 

I asked Kuhn, “When did you become an artist?”

“That police officer is one of the reasons I am now a professional artist!”

J. Mike Kuhn

“I’ve been creating with paints or Legos since before I knew it was a thing,” he replied. “When I was in high school, I had a legal issue because some friends and I painted the entire inside of a large warehouse [illegally]. During a terrifying interrogation, a police officer’s advice to me was that I had talent and I was wasting my time breaking into places doing art for free. I should go to school for this. At the time, I was planning to go to college for chemistry, since I was fascinated with science. That police officer is one of the reasons I am now a professional artist!”

After high school, Kuhn went to a local community college for graphic design. He followed up by attending and graduating from an intensely competitive arts college in Manhattan, the School of Visual Arts. Exceptionally artistic students from all across the world go there to study advertising, design, fine arts and more.  

He has done hundreds of patterns as a graphic artist working for companies as well as working on his own. He creates patterns and designs art for hammocks, chairs, t-shirts, shoes and more.

He was inspired and influenced by…

“Have an intention behind each stroke.”

Xavi Panneton

Internationally known, local mural artist Xavi Panneton took nine months to paint the entire exterior of the Kids Unlimited building in Medford during 2019. While assisting Panneton with the main entrance area, Kuhn was deeply influenced by Panneton’s art and his mentoring. 

Kids Unlimited, Medford Oregon
The entire Kids Unlimited building in Medford was painted as a mural by Xavi Panneton. J. Mike Kuhn assisted him with part of it. (photo from Kids Unlimited website)

“Working with him for a couple months was unbelievable. I remember asking him about my work at the time. He said, ‘Your studio work looks like you’re doing it illegally [rushed].’ Xavi was the one who taught me to slow down. He gave me the most amazing line: ‘Have an intention behind each stroke.’ Now with my paintings I try to think about the color interactions. He even influenced how I speak about my work.” 

Cannabis aficionado, food lover, BMX rider

Kuhn came originally to Southern Oregon to work a few months during the marijuana harvest season, which provided some income to help him focus on art the rest of the year. While here, he began to make friends with people who were creating art and supporting art. I was surprised when he told me why he decided to move here. “The reason I really stayed and moved here was the food. The food in this area is exceptional. You can’t go to a food store in New Jersey and get what you can at the Food Coop. Between the agricultural diversity and the natural beauty of this area, I couldn’t resist moving here.”

He added: “I’m also a BMX rider, so I really enjoy the skate parks in this area. It’s kind of a unique thing in the country that Oregon has such large skate parks. You couldn’t legally build a skate park like you have in Oregon in New Jersey, because of insurance laws. For me, it’s a treat to be able to ride these big cement sculptures, basically. That’s actually where I’ve met at least half of the owners of buses I have painted.”  

“I was 25 when I first saw the Milky Way. In New Jersey you can count the stars. Now seeing the Milky Way most nights blows my mind. To me, it’s such a treat.”

J. Mike Kuhn

When he gets homesick

Most of Kuhn’s family still lives in New Jersey. He gets homesick for them sometimes. I laughed when he told me what he does. “I go to Jersey Mike’s when I’m feeling homesick, because the photos in the Jersey Mike’s shop are of my mom’s neighborhood.”

Art in the Ashland economy

Large gatherings in Ashland have been shut down for nearly a year as this article is being written. With no clear end in sight, there has been much discussion about how to diversify Ashland’s economy to depend less on the economic power of Oregon Shakespeare Festival (OSF). It’s not a matter of “instead of OSF,” since I believe we will always have OSF here. It is definitely a matter of “in addition to OSF.”  

Artist J. Mike Kuhn put it to me this way. “I think personally the town needs to invest more in visual arts. In times of fire and other awful situations [like COVID-19], you can’t always have performance art, but visual arts will always stand. A mural is still enjoyable in the smoke, or when people are limited to walking around their neighborhood.”

He expanded his vision of the impact of visual arts to include not only tourists, but also the children who grow up here. “I see this town as developing into even more of an arts community. If we did more street murals and things like that, I think it would be a great space for children to grow up. I try to inspire kids with the idea that you can do something cool. You can change your community.”   

Finally, why the name Fordyce Street?

Usually I have no idea why a street was given its particular name. In the case of Fordyce Street, we have a story from a man who wrote a booklet in 1951 about Ashland street names. According to the author Henry C. Galey, he named Fordyce St. in memory of Asa G. Fordyce, who came to Ashland with his family in 1853. Fordyce got a 320 acre donation land claim along Bear Creek, including what is now North Mountain Park and the Fordyce Street neighborhood. Fordyce sold his land to Frank Carter in the late 1880s and it became part of the Carter Land Company cattle operation. 

Fordyce Street, Ashland
Asa G. Fordyce photo. (from the Find a Grave website)

Asa Fordyce was well respected in the community. As evidence, here is a story about the first elected school board in Ashland. School classes were first taught in Ashland in 1854 at Eber Emery’s house, with Miss Lizzie Anderson the teacher. This informal arrangement continued until April 3, 1857, when the small community held a meeting to elect three school directors and a clerk for the just-formed Jackson County School District No. 5. John P. Walker (for whom Walker School and Walker Street are named) was chosen, along with Asa G. Fordyce and Bennett Million, while Robert B. Hargadine was the clerk.

If you would like to learn how a three-year-old was responsible for the creation of School District No. 5 in 1857, please read this article. 

Ashland History ‘Firsts’ – Part 2

I hope you have enjoyed my article about Fordyce Street and its beautiful murals. If you would like to read other articles about artwork in Ashland, here are a couple of suggestions. 

“Pacific Fisher” – Art on Ashland’s Bandersnatch Trail
“Inorganic Compound” – Art on the Calle Guanajuato stairway

References:

Anon. “An Introduction to History of the Rogue Valley: with a focus on the Ashland area.” North Mountain Park Nature Center Brochure. Version 4, Ashland Parks and Recreation Department, December 2012. 
https://www.ashland.or.us/Files/HistoryBackgroundBookWeb1-3-13.pdf

Darling, John. “Fire strikes twice,” Medford Mail Tribune, September 26, 2018.

Galey, Henry C. with Geo. W. Dunn and Rose D. Galey. “Information on Ashland Streets, April 5, 1951,” at SOU Hannon Library. 

Kids Unlimited website, accessed February 27, 2021.
https://kuoregon.org/mural/

Kuhn, J. Mike. Interview and personal communications, October 2020 and other dates.

Montague, Peter Paul. Interview and personal communications, October 2020 and other dates.

Mural Arts Philadelphia website. (accessed February 11, 2021)
https://www.muralarts.org/about/

Philadelphia’s Magic Gardens website (accessed February 11, 2021).
https://www.phillymagicgardens.org/about-us/

Old Willow Lane photo essay

Mickey Mouse.
Mosaic rock designs.
“Science is Real” signs.

I found Mickey on Old Willow Lane

Old Willow Lane, Ashland, Mickey yard art
Here’s Mickey, next to the sidewalk on Old Willow Lane. (photo by Peter Finkle, 2020)

This lawn art was a fun surprise on my short walk. I almost walked right by it, because I wasn’t looking down at the grass. I have learned: When I am “walking Ashland,” look everywhere! You never know what you will find.

What I did not find was an “old willow.” If I missed it, someone please tell me where it is.

First impressions

Old Willow Lane, Ashland

To find Old Willow Lane, take East Main Street to Fordyce Street. Heading north on Fordyce, Old Willow Lane will be the fifth street on your left. Here’s what it looks like from Fordyce Street. I was happy to find it filled with interesting sights in its one block length. At the end of the street is a large open field. I expect Old Willow Lane will be much longer someday when that field is developed for housing.

field at the end of Old Willow Lane
Old Willow Lane ends in this large field. (photo by Peter Finkle, 2020)

Big truck on small street

Old Willow Lane, Ashland
Here is the roof truss delivery truck that caught my eye. (photo by Peter Finkle, 2020)

As I walked the street in October 2020, the first thing that caught my eye was a truck filled with prefab roof trusses. The truck was delivering to a house under construction near the end of the street. 

Old Willow Lane, Ashland
On the right is the house being constructed, waiting for a roof. (photo by Peter Finkle, 2020)

As you can see from the photos, Old Willow Lane is lined with street trees. The truck driver faced a challenge – how to lift the trusses to the house construction site without damaging any street trees. Before I finished walking the street, he had figured it out. His first roof truss lift is shown in the photo below.

Old Willow Lane, Ashland
An impressive lift, on a smoky day. (photo by Peter Finkle, 2020)
Old Willow Lane
A week later, the roof trusses are on the house – and the sky is blue. (photo by Peter Finkle, 2020)

Signs of the times

I keep my eye out for yard signs as I walk Ashland’s neighborhoods. Many are copies of the same popular signs. Sometimes I find a sign that is home made and unique. This house has a combination of both kinds of “Science is Real” signs.

Old Willow Lane, Ashland
“Science is Real.” (photo by Peter Finkle, 2020)
Old Willow Lane, Ashland
Purchased sign and home made sign make the same point. (photo by Peter Finkle, 2020)

Yard art variety

Ashland is full of creative people. Some show and share their creativity in front yard art. This is a good reason to have a camera at the ready on your walks. Old Willow Lane is especially rich in yard art for being only one block long.

Old Willow Lane, Ashland, rock mosaic
Overview of the rock art mosaics. (photo by Peter Finkle, 2020)

You won’t miss this one if you are walking on the sidewalk. It is mosaic art, all done with colored pebbles. Each of the three designs is subtle, balanced and beautiful.  Below are close-up photos of the three designs.

rock mosaic, Old Willow Lane, Ashland
Old Willow Lane, Ashland, rock mosaic
rock mosaic, Old Willow Lane, Ashland

I did a double-take as I approached 1269 Old Willow Lane. I have seen many Canada geese flying over town and I was momentarily fooled. 

Old Willow Lane
Are Canada geese visiting this neighborhood? (photo by Peter Finkle, 2020)

I love this metal art and stone front yard at the end of the street. 

Old Willow Lane, Ashland
Yard art on Old Willow Lane. (photo by Peter Finkle, 2020)

Gate and tree

I found one unique and interesting gate on Old Willow Lane. I haven’t noticed a metal gate like this before.

Old Willow Lane, Ashland
Unique gate on Old Willow Lane. (photo by Peter Finkle, 2020)

One massive tree caught my eye and seemed worth sharing with you. 

Old Willow Lane, Ashland
This is a beautifully proportioned tree. (photo by Peter Finkle)

End of street

There is a large field at the end of Old Willow Lane. All I see there is an unusual small barn (pictured). It will be interesting to see what kind of housing develops here in the future.

barn
This is the barn visible at the end of Old Willow Lane. (photo by Peter Finkle, 2020)

I noticed a short path at the end of the street, so of course I followed it to see where it leads. It is a pedestrian shortcut to Village Park Drive and another neighborhood.

path
Path between Old Willow Lane and Village Park Drive. (photo by Peter Finkle, 2020)

Photographic highlight

Walking the short path, one sight caught my eye. Rough, wavy, golden wood grain, black knothole, delicate pink flower on a slender stem, all adds up to a photographer’s dream. Here it is for you.

Old Willow Lane, Ashland, flower
My artistic photo for the day. (photo by Peter Finkle, 2020)

Old Willow Lane is one of many short, quiet streets off Fordyce Street. I will have an exciting article about Fordyce Street for you soon.

Creative Mailboxes of Ashland Photo Essay: Part 1

Artistic, Amazing and Unusual Mailboxes

My Grand Prize #1 so far

A combination of creativity and attention to detail sets this mailbox on Voris Avenue apart from the rest. Greg, creator of this mailbox, was working in his garage as I stopped to admire the little cabin that became a mailbox. I told him how much I enjoyed the woodwork, the chimney, even the realistic garden plants on both sides of the cabin. He told me I would also enjoy the inside. Scroll down to see what I saw inside the cabin/mailbox.

Mailbox
Amazing detail on this home-made Voris Avenue mailbox. (photo by Peter Finkle, 2019)
Mailbox
Greg, creator of this mailbox, is showing the inside. (photo by Peter Finkle, 2019)
Mailbox
Can you see the small inhabitant inside, just waiting to take a look at the daily mail? (photo by Peter Finkle, 2019)

Painted mailboxes

So far in my walks around Ashland, I have seen a variety of lovely and creative painted mailboxes. Here are a few. I am sure there are many more for me to discover.

mailbox
This Holstein mailbox is at 886 A Street. (photo by Peter Finkle, 2018)
Mailbox
These golden spirals on Morton Street caught my fancy. (photo by Peter Finkle, 2018)
Mailbox
Bright colors cover this Beach Street mailbox. (photo by Peter Finkle, 2018)
Mailbox
This unusual combination of colors and styles is on A Street. (photo by Peter Finkle, 2018)
Mailbox
From a cat to a blue jay, this one on Scenic Drive. (photo by Peter Finkle, 2020)
Mailbox
From a blue jay to a lavender color flower on Ray Lane. (photo by Peter Finkle, 2020)
Mailbox
Here’s a whole different style of mailbox and flower. (photo by Peter Finkle, 2020)

Unusual mailboxes

These eclectic mailboxes grabbed my attention and brought a smile to my face.

mailbox
The unusual railroad engine mailbox on 5th Street, combined with the creative house numbers, is a striking combination. (photo by Peter Finkle, 2018)
Mailbox
I find creativity in the placement of this mailbox on Alida Street. The colorful yard sale clothing adds to the scene. (photo by Peter Finkle, 2020)
Mailbox
I used this photo of mailboxes on upper Beach Street as the lead photo in my very first WalkAshland article, published April 2018. (photo by Peter Finkle, 2018)

My Grand Prize #2 so far

This is the most sculptural mailbox I have seen in town so far. From bottom to top, there is so much to see. I focused on the critter standing atop the mailbox in my photos. Is “cute” the right word for it? What do you think?

Mailbox
You can enjoy the creativity of this mailbox at 354 Helman Street. (photo by Peter Finkle, 2020)
Mailbox
Going in a little closer. (photo by Peter Finkle, 2020)
Mailbox
My wife says this is a cat. Do you agree? (photo by Peter Finkle, 2020)

If you enjoyed this photo essay, you will enjoy my “Quirky Sights in Ashland” photo essay. Here is a link.

Quirky Sights in Ashland: Part 1

Alida Street: Flowers, Ghosts and Art


Dramatic trumpet vine at 66 Alida
Writer of Westerns at 81 Alida
The scissors that moved by themselves at 92 Alida
Beautiful mural at 107 Alida
“Lord of the Rings” connection at 180 Alida
Plus 40 photos

Surprising stories

I thought to myself, “It’s only two blocks long. This will be a quick, easy article to write.” Boy was I wrong. I was surprised by the stories I discovered and which I can now share with you.

Alida Street is situated between Siskiyou Boulevard and East Main Street in one of the older parts of Ashland, within the boundaries of the Siskiyou-Hargadine historic district. Residents of Alida Street have a neighborhood coffee shop, with the Rogue Valley Roasting Company around the corner on East Main Street.

Let’s begin our two-block stroll

Alida Street
46 Alida Street, built in 1933 (photo by Peter Finkle, 2020)

Let’s begin our two-block stroll with a small 1933 cottage style house at 46 Alida Street, near East Main Street. According to the National Register of Historic Places, this house is “an example of the small rental volumes that typify much of the infill development in the district prior to World War II.” It looks beautifully renovated at some point in recent years.

Alida Street
Woodland Park Estates apartments on Alida Street (photo by Peter Finkle, 2020)

Across the street is the Woodland Park Estates apartments. This large apartment complex provides much needed housing for single people and couples.

Southern Pacific Railroad engineer

Alida Street
60 Alida Street (photo by Peter Finkle, 2020)

60 Alida Street was built about 1902 for Judd V. Miller, an engineer with the Southern Pacific Railroad. The original architecture was an L-shaped farmhouse style, but large additions through the years have changed the historic character of this house as well. I do like the attractive new front entry, though it’s not quite large enough to be a comfortable front porch with two or three chairs.

Hipped-roof cottage

Alida Street
63 Alida Street, built in 1908 (photo by Peter Finkle, 2020)

The 1908 Henry Boyd House at 63 Alida Street retains its simple, historic hipped-roof cottage architectural style. Henry Boyd was a local photographer. He and his wife Nettie lived here until 1923.

Trumpet vine

Alida Street
66 Alida Street, home of an old trumpet vine (photo by Peter Finkle, 2020)

A dramatic trumpet vine caught my eye at 66 Alida Street. The house was built in 1941 in the Cape Cod, Colonial Revival style. As I walked and took photos in July 2020, the trumpet vine was in glorious full bloom, covered with large bright red flowers.

Trumpet vine, Alida Street
Trumpet vine flowers at 66 Alida Street (photo by Peter Finkle, 2020)

Trumpet vines (also called trumpet creeper) have high points and drawbacks. Among the high points, the large bright flowers continue to bloom all summer and they are a magnet for hummingbirds.

Trumpet vine trunks have their own harsh beauty. The trumpet vine at 66 Alida shows how beautiful the gnarled trunk of the vine gets as it ages. This one even provides a level spot for displaying Ganesha, the elephant-headed Hindu deity of beginnings, also known as the remover of obstacles.

Ganesha statue, Alida Street
Resting place for Ganesha on the trumpet vine trunk (photo by Peter Finkle, 2020)

As one website put it, trumpet vine is “A high-climbing, aggressively colonizing woody vine to 35 ft., climbing or scrambling over everything in its path by aerial rootlets.” Depending on its location, this can be a big drawback. Some varieties send out below-ground runners and self-seed nearby, so they can take a lot of care to keep in check. The beautiful, gnarled trunk can also be a drawback as the plant gets older and larger. Moral of the story: be careful where you plant a trumpet vine and keep it under control, so that you can enjoy it. This old trumpet vine is an example of one that has been pruned regularly and kept under control.

Trumpet vine trunk, Alida Street
This is what an old, gnarled trumpet vine trunk looks like (photo by Peter Finkle, 2020)

George Anderson houses

Warner Mercantile Company ad 1916
Ad for Warner Mercantile Company, where George Anderson worked. This ad was in the Ashland Tidings of November 23, 1916.

George Anderson was a clerk with the Warner Mercantile Company. I found a Warner Mercantile ad in the 1916 Ashland Tidings, but it doesn’t give much insight into what the company sold or where it was located. Anderson had two houses built on Alida Street, both in 1910.

Alida Street
76 Alida Street, built in 1910. (photo by Peter Finkle, 2020)

Anderson lived at 76 Alida in a simple hipped-roof cottage. The large rear addition and plate glass windows in front have changed the house considerably, but one can still see the basic character of the 1910 house in the small front section.

Alida Street
75 Alida Street, also built in 1910. (photo by Peter Finkle, 2020)

Anderson bought property across the street and had 75 Alida built as a rental house. The National Register document calls it “a fine single-story gabled bungalow with a projecting gable porch.” I keep an eye out for Little Free Libraries around town. You’ll find an attractive one in the planting strip at 75 Alida Street.

Little Free Library, Alida Street
Little Free Library at 75 Alida Street. (photo by Peter Finkle, 2020)

Writer of Western stories and novels lived here

Alida Street
81 Alida Street was the home of William Verne Athanas and his family. (photo by Peter Finkle, 2020)

William Verne Athanas, who lived at 81 Alida Street, was known as a writer of cowboy fiction, but he came from a rich Greek heritage.  He was the son of Panagiotis “Peter” Konstantinos Athanassopoulos, who had been born in Greece in 1890. The family moved to Ashland when Verne was a child. In 1936, he graduated from Ashland High School and married his childhood sweetheart Alice Spencer – a big year!

Marrying Alice Spencer made him the uncle of Julia Woosnam, who grew up across the street at 92 Alida Street and told me his story. Between high school and becoming a full-time writer ten years later, “he slopped hogs, dug postholes, drove trucks, was a railroad brakeman, a gandy dancer, a service station attendant, a stationery salesman and more.” [Archives West]

Verne Athanas had an article in the November 1951 issue of New Western Magazine under his pen-name Bill Colson. (photo from “The Western & Frontier Fiction Magazine Index”)

Once he began writing, he specialized in cowboy fiction, and he was prolific. Athanas has 28 short stories listed in the “Western and Frontier Fiction Magazine Index.” He also wrote for mainstream magazines like the Saturday Evening Post and Esquire. He published three novels, including The Proud Ones that was made into a movie released in 1956. He also wrote scripts for TV westerns in the 1950s and 1960s. Because he wrote under four pseudonyms in addition to his own name, I haven’t been able to track down exactly what and how much he wrote.

The oldest house on Alida Street

Alida Street
84 Alida Street, built in 1890 or 1891. (photo by Peter Finkle, 2020)

Built in 1890 or 1891, 84 Alida is the oldest house on the street. It is described as “a fine multiple gable volume set upon a high concrete foundation. The porch at the NW corner is notable for its early-appearing chinoiserie balustrade.”

Early Ashlanders, ghost tales and more

alida Street
92 Alida Street, built in 1920. (photo by Peter Finkle, 2020)

The 1920 single story bungalow at 92 Alida Street still has much of its original detailing. Julia Woosnam, who grew up in this house in the 1950s and 1960s, told me stories and shared photos with me. She comes from an old Ashland family. Her grandfather Don Spencer was Ashland’s first postal mail carrier, starting in about 1910. Before that, everyone had to pick up their mail at the post office on the Plaza.

92 Alida Street
Altadena (Dena) and Lawrence Powell pose for a wedding picture in 1929.
(photo courtesy of Julia Woosnam)

Julia’s father Lawrence Powell and mother Altadena Spencer married in 1929. The couple raised a family and lived at 92 Alida Street for more than 40 years.

“Julia’s tree”

Alida Street

Two months before Julia was born in 1954, her father planted a maple tree for her in front of their house at 92 Alida Street. Here is the tiny stick that was to become a tree. (photo courtesy of Julia Woosnam)

Alida Street

Her father took this photo of Julia with “her tree” when she was almost two years old. The maple tree “stick” is a little taller. (photo courtesy of Julia Woosnam)

Alida Street

Here is “Julia’s tree” in front of 92 Alida Street in 2020. (photo by Peter Finkle, 2020)

Ghostly personal experiences

“Growing up there, you would just have a sense of somebody else hanging out” in the house, Julia told me. The front bedroom, with a window overlooking the porch as seen in the photo below, was hers growing up.

Alida Street
Julia’s bedroom window looked out to the porch. Julia’s father Lawrence Powell made the wood house number sign that still hangs in the porch area. (photo by Peter Finkle, 2020)

“The front bedroom was my room, and things would slide around in that room. I had a couple of friends in high school, laughing and giggling in there with me when we were best buddies, and a pair of scissors slid across the bureau. One of those friends said, ‘I am not staying in your room again.'”

Intrigued because scissors seem rather large to move on their own, I asked Julia about them. She replied, “I have them upstairs. They were my mother’s really nice dress-making shears.” Of course I said, “May I take a photo of them?” So Julia went and got what she laughingly called “the now famous flying scissors,” and here they are. I held them, and I can tell you they are heavy.

scissors
These heavy dress-making scissors scared three teenage girls who were talking in Julia Woosnam’s bedroom at 92 Alida Street. Read the text to find out why.
(photo by Peter Finkle, 2020)

Then there was the moving toilet paper. “The toilet paper roll would just spontaneously, slowly start to unroll, then it would go faster, faster, faster, faster, faster, faster until it pretty much emptied the roll. That was seen by several friends.”

“It got to be really mean,” Julia added, laughing. “Someone would go in the bathroom and we would all wait, just to see if it would happen. I had my best friend, who lived in the oldest house [on Alida Street] across the driveway from us, and she went into the bathroom — and I remember my mom and I tippy-toeing down the hallway, waiting — and pretty soon she screams, and she comes running out of the bathroom, just sobbing — and it was the toilet paper had started to unroll before she could even get near it to use it. These things just happened — for whatever reasons, they do happen.”

Another occurrence experienced by many people through the years was a loud thump, with no discernible cause, as if a large ball was being thrown against the wall. “My good friend Ann called it ‘the boulder.’ So we always referred to that sound as being ‘the boulder.’ It was definitely like someone had taken a soccer ball and thrown it hard against the outside of the house.”

100 Alida Street

Alida Street
100 Alida Street. (photo by Peter Finkle, 2020)

The house next door at 100 Alida Street was built in 1939 with an English Cottage style architecture unusual in Ashland. “A one and one-half story period revival structure, the Ruger House is a gable volume with a projecting gable entry element.”

The creative gate combines wood, metal and vines for an attractive entry to the yard.

gate, Alida Street
Creative gate at 100 Alida Street. (photo by Peter Finkle, 2020)

Art for the neighborhood to enjoy

Alida Street
107 Alida Street…can you see the mural? (photo by Peter Finkle, 2020)

The house at 107 Alida was built in 1925 for local banker Gerald Wenner and his wife Grace. The couple lived here for nearly 50 years, until they died in the early 1970s. A simple bungalow style, it still has many of the original 1925 features. 

Before and After at 107 Alida Street

Wall at 107 Alida Street before mural was painted. (photo courtesy of Katherine Holden)
mural, Alida Street
Beautiful mural at 107 Alida Street, painted in June of 2020. (photo by Peter Finkle, 2020)

The bright mural on the side of this house is quite new. Katherine emailed me that the mural at her house was painted by two friends, Amy and Glenn, who visited her from the San Francisco Bay Area in June. Her friend Amy added, “Visiting in a pandemic, we wanted a safe way to socialize and create something beautiful for our friend Katherine. We hope that more public art soothes the soul during these transformative times.” Seeing this mural certainly lifted my spirits, and I recommend that you see it when you are in the neighborhood.

The mural creation at 107 Alida Street

I wondered how this unusual group of flowers was designed. It turned out to be a simple but surprising reason. See the photo and caption below.

Alida Street mural
The design of the mural was inspired by this piece of fabric Amy and Glenn found in Katherine’s sewing box. (photo courtesy of Katherine Holden)
Alida Street mural
This photo shows Glenn painting the mural in June 2020. (photo courtesy of Katherine Holden)

I will add that Amy Pete is a somatic bodyworker and Glenn Case is a muralist and sign maker, both living in the Bay Area. 

Another SP worker, and unusual yard art

Alida Street
140 Alida Street, built about 1924. (photo by Peter Finkle, 2020)

Southern Pacific Railroad worker Henry Mayberry and his wife Myrtle had 140 Alida Street built for them about 1924. The house retains much of its historic look. The artistic garden fence and yard art are both very modern. For example, having a Buddha-like statue and a gnome sharing the yard is very 21st century.  

Alida Street
This is one of my favorite yard art combinations in town. (photo by Peter Finkle, 2020)
Alida Street
I wonder if the deer appreciate the hearts when they see that they can’t enter this lush vegetable garden. (photo by Peter Finkle, 2020)

Ashland High School 2020 graduate

Alida Street
145 Alida Street. (photo by Peter Finkle, 2020)

Ashland High School’s class of 2020 was not able to have an in-person graduation ceremony due to the coronavirus. On May 26, I noticed a forest of signs placed along Siskiyou Boulevard in front of the high school. I was moved as I saw this creative way of recognizing each 2020 graduate individually. 

Ashland High School class of 2020
Ashland High School, posters for the class of 2020. (photo by Peter Finkle, 2020)

Since then, I have seen “2020 GRAD” signs in front of several houses around Ashland. 145 Alida Street is one of them. This post-World War II era cottage, built in 1945, is “a fine example of its type.” The National Register describes it as “a series of connected hip roof volumes with wide board siding and numerous windows. A large brick chimney dominates the streetscape and a matching hipped-roof garage is located at the rear of the lot.”

Alida Street
Alida Street
Apartments at 160-162 Alida Street. (photo by Peter Finkle, 2020)

Another, smaller apartment complex is at 160-162 Alida Street. Built in 1966, I think it is called the Collins Court apartments.

A “fine Queen Anne ell”

Alida Street
172 Alida Street, built about 1900. (photo by Peter Finkle, 2020)

172 Alida Street was built as a rental house by Jacob Thompson around 1900. Architecturally, it is a “fine Queen Anne ell with canted corner on each of two projecting gables, framed below a pent roof line and a shingle-decorated gable end.”

Thompson owned much of the land in this part of Miner’s addition. An interesting aside is that in 1910, he transferred this property to a company co-owned by Thompson and his partner Gwin Butler. You may recognize the name Butler from the Butler-Perozzi Fountain or the Butler bandshell in Lithia Park. Gwin Butler’s contributions to Ashland deserve a full article.

Creative hobbit lovers

mailbox, Alida Street
Creative mailbox at 180 Alida Street, with yard sale going on that day. (photo by Peter Finkle, 2020)

180 Alida Street is a 1926 single story bungalow style house. This house could get an award for creative use of a tree stump. What got me excited, however, was spotting the sign on their gate that says, “Say Friend and Enter” in both English and Elvish. If you have read Lord of the Rings or seen the movies several times, you might recognize that saying as the inscription that puzzled Gandalf at the gate of Moria.

Alida Street
Saying on the entrance to Moria, and on the entrance to 180 Alida Street. (photo by Peter Finkle, 2020)

I have been a fan of Lord of the Rings by J.R.R. Tolkien since I was a teenager – which was many years ago! Early this year, I just finished reading the 1,086 page book (1,190 with appendices) for about the tenth time, and I loved it just as much as I did the first time.

The 1901 Frank Nelson house

Alida Street
188 Alida Street, built in 1901. (photo by Peter Finkle, 2020)

188 Alida Street was built for Frank Nelson in 1901, and he lived there until 1919. The style is a simple one and one-half story hipped-roof cottage. Nelson was a partner in the longtime Ashland grocery business Loomis and Nelson, which served the Railroad District at the corner of 4th Street and B Street. 

We have now reached Siskiyou Boulevard, so this wraps up our walk along Alida Street.

Note that two people who built houses on Alida Street worked for Southern Pacific Railroad. See below for a link to my article about the impact of the railroad on Ashland.

Railroad Park and History of the Railroad in Ashland

References:

Unidentified quotes are from:
National Register of Historic Places, Siskiyou-Hargadine Historic District, September 14, 2002.

Anon. “W. Verne Athanas papers, 1946-1962,” Archives West.
http://archiveswest.orbiscascade.org/ark:/80444/xv62493

Anon. “The Western & Frontier Fiction Magazine Index,” Verne Athanas and Bill Colson story listings.
http://www.philsp.com/homeville/WFI/s127.htm#A1584

Katherine Holden, personal communication, July 2020.

Pete, Amy. Personal communication, July 2020.

Woosnam, Julia. Personal communication, August 2020.

Morse Avenue: 2020 update photo essay

Ashland High School outdoor art.
Cheryl Garcia’s metal art.
The Inspire House classroom.

Morse Avenue street sign on Siskiyou Boulevard. (photo by Peter Finkle, 2020)

I took photos on Morse Avenue, which runs between Siskiyou Boulevard and East Main Street, in April 2018 and again May 2020.  Most of the east side of Morse is taken up by the Ashland High School track and field.

Homes and apartments fill the west side of the street.  Morse Avenue is only a couple blocks long, as are many streets in Ashland, so this will article will be mostly photographs.

Garden Highlight

The garden highlight on Morse Avenue was 33 Morse.  This home used to belong to Southern Oregon artist Cheryl Garcia and her husband Criss. Cheryl specializes in metal art, and you can still see her work around the garden.

Metal art by Cheryl Garcia at 33 Morse Avenue. (photo by Peter Finkle, 2018)

Cheryl Garcia’s website is www.greatmetalwork.com.  I have had the pleasure of knowing Cheryl for the past few years.  She does create great metal art projects, both small and large. You may have seen her huge flowers just inside the main entrance of the Britt Music Festival, at Walker School in Ashland or the bright yellow-orange metal poppies in the vineyard as you drive into Jacksonville on South Stage Road (photo below).

Poppies by Cheryl Garcia near Jacksonville. (photo by Peter Finkle, 2018)

When Cheryl and Criss sold the home on Morse, she told me that she hoped the new owners would honor and keep her artwork in the garden – and they have.  Here are more photos of her art at 33 Morse.

Cheryl Garcia’s metal work at 33 Morse Avenue. (photo by Peter Finkle, 2018)
Garage at 33 Morse Avenue, Cheryl Garcia metal art. (photo by Peter Finkle, 2020)

There is an unusual tree at the corner of the garden where Morse Avenue meets East Main Street.  I think it’s a weeping Blue Atlas Cedar that has been trained to grow in two directions from the sturdy trunk.  It is dramatic!

Blue Atlas Cedar, corner of Morse Avenue and East Main Street. (photo by Peter Finkle, 2018)
You can see how the Weeping Cedar has been trained to grow over the archway garden entrance. (photo by Peter Finkle, 2020)

Ashland High School track

During my 2018 walk, the deer of Ashland were represented on Morse.  I was admiring the new AHS track recently installed after a huge community fundraising campaign.  Then I noticed that three deer were also admiring the track, perhaps discussing how fast they could run a 100 yard dash.

Some “spectators” at the new Ashland High School track. (photo by Peter Finkle, 2018)

The track was declared unfit for use in May of 2017, so a huge community fundraising campaign began. $360,000 of private funds was raised to replace the understructure of the track and lay down a state of the art surface layer.  It looks great to me.  I hope the high school athletes love it.

New Ashland High School track. (photo by Peter Finkle, 2020)
This is one of a newly-planted line of Ginkgo trees along the Morse Avenue side of the Ashland High School track. Ginkgo trees put on a beautiful show of golden colored leaves in autumn. Ginkgo trees are slow growing, but they can live for longer than 1,000 years.

AHS Inspire House

The Ashland High School Inspire House on Morse Avenue serves a small number of students. I found this explanation at the school website: “The AHS INSPIRE Program serves students who have special needs, with an emphasis on hands-on activities that directly transfer into independent life skills.”

Rebecca Bjornson is the teacher for Inspire House students. I didn’t know about Inspire House when I first wrote about Morse Avenue in April 2018. Since then, I had the pleasure of leading Rebecca and the Inspire House student group on an Ashland History Walk through the Railroad District.

60 Morse Avenue is the site of the Inspire House program. (photo by Peter Finkle, 2020)
Inspire House front door. (photo by Peter Finkle, 2020)
This unusual bench is located in front of the student garden next to Inspire House. (photo by Peter Finkle, 2020)

AHS Morse Avenue artwork

I enjoyed seeing this mosaic at the high school as I walked the sidewalk on Morse Avenue.  If someone knows the story behind the mosaic, please share it in the comments.

Ashland High School mosaic, along Morse Avenue. (photo by Peter Finkle, 2020)
Detail of the mosaic at Ashland High School, along Morse Avenue (photo by Peter Finkle, 2018)
The mosaic wall partially encloses this Ashland High School student garden. (photo by Peter Finkle, 2020)
This Ashland High School parking lot at the corner of Morse Avenue and Siskiyou Boulevard was once the site of the “Sweet Shop.” If anyone would like to share a personal story of the Sweet Shop in the comments, I would love to read them.

Takelma Way Photo Essay: Flowers and Yard Art

Tulips so bright, I could hardly believe my eyes!
Walkable neighborhood, with trees, flowers and paths
“New urbanism” is the model

Takelma Way winds its way between Tolman Creek Road and Clay Street. It is a quiet neighborhood, with the houses built in the late 1990s and early 2000s. I walked Takelma Way once in February, when deciduous trees were bare and front yards were low key. I walked the street again in April and found the neighborhood ablaze with bright colors, both the street trees and the yards. I captured a bit of that colorfulness for you in my photo essay of Takelma Way.

Takelma Way meets Clay Creek Way. There is a neighborhood pocket park here.
Here is the attractive pocket park at the corner of Takelma Way and Clay Creek Way.
Several Takelma Way houses have wisteria vines. This one with a south-facing front yard was filled with blooms in mid-April, while wisteria on north-facing house-fronts lagged behind.
It takes a close look to see how amazing wisteria flowers can be.

There are 61 houses in the Clay Creek Gardens HOA (homeowners association), which encompasses Takelma Way, Clay Creek Way and Mickelson Way. The neighborhood was built following the principles of “new urbanism.” The HOA website describes new urbanism as “a concept that encourages walkable communities, compact design with a focus on smaller lots, extensive shared community spaces and homes that encourage neighbors to interact with each other.” Practically speaking, the houses have covered front porches that face the sidewalk to encourage communication with neighbors who are out for a walk. There are narrow streets with wide sidewalks, so it doesn’t feel like cars dominate the space. The architecture of the houses is not “cookie-cutter,” but encompasses a variety of styles. There is even a neighborhood community garden where people can have a plot for growing vegetables.

A variety of house styles

This one-story house has a large front porch near the sidewalk.
Here’s a two-story house with a full front porch and garage around the back.
The narrow streets, parkrows and sidewalks make it a pedestrian friendly neighborhood.
This simple front porch still encourages conversations with the neighbors.
A fancy looking, large two-story house is part of the same planned neighborhood.

Takelma Way paths

Two ways to encourage community are with walking paths and with Little Free Libraries. This is an unofficial Little Free Library on one of the walking paths that connects with Clay Street.
Here is another walking path to Clay Street, lined with colorful flowering trees in April. What a pleasure to walk this path!
Siskiyou School is across Clay Street at the end of one path (left photo). The pathway bridge over Clay Creek is shown in the right photo.
Here is a 30-second video I took as I walked a path from Clay Street back to Takelma Way.

Let’s look at unique yard art

Someone loves seashells and peace on earth.
Who remembers Jack LaLanne?
I can’t figure out if this yard art is a celebration of camping, of snow and winter sports, or both. Whatever it is, it’s cute.
The guardians are watching at the door.
Sometimes you have to look closely to find hidden gems.

Tulip time (and other bright colors)

Maybe I arrived at this front yard at just the right day (April 20) at just the right time (5:24 p.m.). It doesn’t require a full field of flowers to take my breath away. Something about the brilliance of the colors of these four tulips, and the variety of the colors side by side, stopped me in my tracks in wonder. Wonder and appreciation for Mother Nature, for the Creator of Life, and for the Gardener of this humble front yard.
Here is my second-favorite photo I took of the four tulips. (I won’t bore you with all the others I took and reluctantly let go.)
Different colors, beautiful composition of the tulips, azalea and camellia flowers.
Here is a dramatic white flowering fruit tree.
I love the contours of this gate, framed by greenery and backed by a bounteous pink flowering fruit tree.

“Enchantment Grows Here”

A small but enchanting corner of one yard.

This small, beautiful, carefully planned space was created by Kim Knoll. I love the way she has combined a variety of shapes and sizes of plants with rocks, yard art, colorful pots, and that stone bench to anchor it all. Though her house address is on Michelson Way, this section of her side yard is on Takelma Way, so I am including it in this article.

Here is an overview of her “enchanting” space.
Here is another detail from Kim’s unique garden.
Clay Creek flows along the side of the neighborhood, and is accessed by several paths between Takelma Way and Clay Street.

If you enjoyed this article, you might enjoy seeing and reading about the colorful garden on Ohio Street. https://walkashland.com/2019/06/22/ohio-street-garden-of-month-june-2019/

Gates of Ashland: Part 1

Beautiful, Unusual, Artistic, Floral, Fun!
Metal, wood, old, new…a variety of Ashland gates.

I will add Parts 2, 3 and more as I walk more Ashland streets.
I stopped to smell the fragrant honeysuckle as I walked past this gate last summer. (Harrison Street)

Creativity makes our lives more interesting and enjoyable. Creativity can be expressed in many ways. Here I recognize people who have expressed their creativity through the normally little noticed entry gate.

Wood and metal complement each other in this gate. (Auburn Street)
This alley gate looks like it has been here for many years. (alley between A Street and B Street)
Let’s hear it for the metal artists in our community. (Morton Street)

“When I open the gate in my protective personal wall,

my little world becomes more spacious.”

Peter Finkle
Did a bicycle rider build this gate? (Beach Street)
A creative metal artist either lives here or is appreciated here. (Morton Street)
This gate is on Forest Street near the corner with Morton Street.

The gate above has a good story. I noticed this unusual gate and stopped to take a photo. A woman (Anna Beauchamp) was in the garden and I asked her about the gate. She told me her husband Stephen Bacon made the gate. He carved the two side posts from cedar logs and the top post from a Russian olive tree. The center spirals are made from their garden grape vine trimmings. Stephen has decades of experience working with wood, but not normally these types of wood. He has built and repaired violins and other string instruments since he was 17 years old. His shop in Ashland, Bellwood Violin, serves professional musicians, schools and more. And I learned all of that by stopping to look at a gate!

With a formal entrance like this, it should be a formal garden. (Liberty Street house address)
The gate has attractive lines, but the colorful flowers we see through the gate make the scene. (Harrison Street)
I don’t think this gate is used very often. (Almond Street)
Alley gate near the library. (between Siskiyou Boulevard and Allison Street)
Copper spiral and fragrant star jasmine flowers in our yard. Eric Cislo made the gate and Cheryl Garcia created the copper spiral. (Beach Street)
Can you tell which day of the year this photo was taken? Hint: starts with an “H.” (Oak Street)
Here is another nice combination of metal and wood. (Rock Street, I think)
The house you can see through this gate was built about 1904. Could the gate be that old? (8th Street)
This one is simple but memorable. (4th Street)
Is this “art” or is this “gate?” Let’s just call it “art on gate.” (Ohio Street)
This is the most dramatic gate I have seen so far in my walks around Ashland. Do you have a nomination for a more dramatic gate?

Greenmeadows Way

My wife Kathy and I walked Greenmeadows Way on a cool January afternoon. The sun occasionally peaked out through the clouds and smiled on us, as did some of the neighbors we met during our walk. 

Greenmeadows Way is the heart of a late 1970s to early 1980s housing development in South Ashland known as the Mountain Ranch subdivision. There are 74 houses in the neighborhood association.

Nice rock work on Greenmeadows Way.

Walking Greenmeadows, we chanced upon Margaret (Peggy) Evans and her sister Barbara, who were out walking Peggy’s dog “Jack.” If you enjoy organ music, keep an eye out for the name Peggy Evans. She has performed organ recitals throughout the United States, and still occasionally performs organ recitals locally. 

If you have attended or worked at Southern Oregon University, you may recognize the name Margaret (Peggy) Evans. She is an SOU Professor of Music Emerita and still teaches organ. She has taught for decades at the SOU Music Department. She now also teaches music in the OLLI (Osher Lifelong Learning Institute) program. Peggy was the Music Department chair years ago when my wife was office manager for the Music Department, so they had lots of catching up to do as we strolled the street.

Peggy and Barbara explained to us that every house in the neighborhood is connected, along its back yard or side yard, with a comprehensive network of paths.

Part of the network of paths that runs throughout the neighborhood.

In addition, there actually is a neighborhood “green meadow.” Like the paths, it is private property of the Mountain Ranch neighborhood association. However, they are flexible with others walking the paths as long as people are quiet and respectful.

Yes, there is a “green meadow” for residents of the neighborhood.

What are these?